A ferryboat. A meeting between two souls. Hurdles and shadows keep being overcome until the end. Bodies always striving to breathe along the way.

A ferryboat. A meeting between two souls. Hurdles and shadows keep being overcome until the end. Bodies always striving to breathe along the way.

A protagonist in limbo, with a precarious work situation, a temporary home location. And a hidden facet of his life that he reveals to few.

Childhood, Boyhood, Youth is a gripping coming-of-age story set within the walls of the National Conservatory Dance School in Lisbon, Portugal. The film takes us into the little-known world of classical dance, letting us witness moments of learning, rivalry and bonding between the students as they are put to the test during three key moments that will determine the rest of their lives.

Idling afternoons, drugs, heartbreaks, psychedelic moods immersed in music. An adrenaline rush. Lisbon as the backdrop for a drifting youth.

A protagonist in limbo, with a precarious work situation, a temporary home location. And a hidden facet of his life that he reveals to few.

The character of a novel gains life to torment the author, revisiting and reliving the story of a crime.

From a certain idea of Rousseauian rural purity, “Colmeal” is settled in the small homonymous village located in Riba-Côa, also known as ghost village, due to the effects of the rural exodus and the inland desertification. In an allegorical way, quite worked on the natural elements and the sound elements, the film tells the story of a young man who lives isolated and who obsessed by a woman who comes from the city to spend her summer vacation. Gradually, the young man tries to overcome the inability to deal with his emotions, seeking to discover himself, emotionally and sexually. Márcio Laranjeira and Sérgio Brás d’Almeida are debutants in Curtas Vila do Conde and propose a return to the themes of growing pains and transition to adulthood, with young people trying to find their place in the world and to define their personality, especially in context of social and loving relationships.

Childhood, Boyhood, Youth is a gripping coming-of-age story set within the walls of the National Conservatory Dance School in Lisbon, Portugal. The film takes us into the little-known world of classical dance, letting us witness moments of learning, rivalry and bonding between the students as they are put to the test during three key moments that will determine the rest of their lives.

In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.