The film is a poetic adaptation of a series of stories (oral and written) about Princess Olha of Kyivan Rus' (Ukraine-Rusʹ) at the start of the 11th century. Inspired by chronicles and folk legends this is a story of a common girl Olha who married Prince Ihor and became his successor on the throne after his murder and one of the most remarkable political leaders in early medieval European history. She converted to Christianity and brought her realm into Europe.

A convict is forced to hide within a model of a hammer and sickle. Here a tragic romance ensues between the convict and woman worker; which is spoilt by the woman's jealous young son. The convict is then forced to undergo a tragic bid for freedom which ends with the beauty of swans contrasted with the imprisoned convicts and the hopeful but ultimately tragic wait by the woman for her lover.

Once in the underpass at the Philharmonic, a singer Lyudmila hears a heavenly voice of a beggar-girl singing "Ave Maria" ...

During an interesting era in the history of Eastern Europe when Russia, under Peter the Great, and Sweden, under King Charles XII, struggled for power, Ukraine was the pawn in the middle. In 1709, Ivan Mazepa, Hetman of Ukraine, which was part of the Russian Empire, signed a pact with the Swedish king promising to support Sweden in its war against Russia provided that Ukraine was given its independence.

A documentary film about the rise of Ukrainian cinema both at the national level and on the international stage.

Vasyl Vilgota raised two sons. One of them died on the fronts of the Second World War, defending the homeland, and the second served as Hilfspolizei. Vilgota himself also helped the Nazis. Although he carefully hides this fact of his biography, there is one man who knows the truth about him.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.

Liuba and Andrii, two war veterans bearing both physical wounds and the invisible scars of PTSD, find solace in each other as they navigate the long road to recovery. Their bond offers a fragile hope for healing, but as they confront the lasting impact of trauma and the challenge of rebuilding their lives, their connection is tested in a quiet, deeply human struggle for love, strength, and renewal.