In the Seventeenth Century, while Hungary is fighting the Turks, the population of a small village in the Carpathian Mountains faces the evil Countess Elizabeth Bathory, accused of drinking and bathing in blood of virgin women.

This rhapsodic, grotesque and realistic film describes one and a half days of Gyula.

Vera is an engineer and a young divorcée. She is pretty, lonely, and has a boyfriend, Tamás, whom she is dating secretly on a certain day of the week at the week-end house of one of their friends, as Tamás has a family and does not intend to divorce his wife. Vera would like their relationship to be publicly acknowledged.

After his divorce, Bóna Péter, a beginner film director needs a bigger amount of money to settle his financial problems with his ex-wife. He travels to Pécs to see Sárika, an old veteran. He has not seen his aunt for a long time, and she receives him very friendly, but she flatly refuses to lend him any money.

Füge lives with an 18-year-old girl Nina who dances and sings in a disco. Despite their age difference, their relationship is mainly erotic. Füge has a little daughter Fanny from a one-day relationship. Füge adore Fanny, who is often at their place for safekeeping. Füge is forced into an operation in Szeged, where he has to do business with a local underlord - at any cost. Meanwhile, Nina, an extraordinary beauty, is increasingly being discovered by photographers and the fashion world. Füge, as he travels down to Szeged to complete the assignment, accidentally bumps into Ágota (his lover in the first two films) on the train. They haven't seen each other for 15 years. She has married a detective in Italy.

The Investigator, busy with processing the clues to a number of rapes and murders committed in the same way, tries to catch the murderer, that is to find the would-be victim first and then to identify the murderer before he could strike again.

1989 in Budapest. A gang of teenagers is roaming about in the city. They are hanging around, longing away from here, their parents do not care about them. They sustain themselves by breaking up cars and by minor robberies.

At the station of Almamellék the semaphore turns red unexpectedly and the conductor shows a stowaway - with no money nor ticket - off the train. The stowaway has to undergo a serious and long investigation that tries to uncover the reasons for his "deed". In the meantime he can watch, like a spectator in a movie-theatre, how Kerek József, the strutting stationmaster rules his ridiculous empire through office bureaucracy, indifference, servility and negligence.

A World War II-style "war game" setting the wealthy customers against skilled mercenaries goes awry when the simulated war gets too real.

The corpulent and ageing Ivicz, once an excellent baker, works as a deliverer now. He lives alone. At the weekends following the toilsome weekdays he is the boss. He regularly travels to the country, to work as the incorruptible referee of third class national soccer games.