Punarjanma is a Bengali drama film released in 1932 and directed by Premankur Atarthi.

Dena Paona is a dramatic exploration of societal pressures and personal redemption. The film follows Sorashi, a strong-willed temple priestess, as she confronts the challenges of a troubled marriage and a disapproving community. Her journey towards self-discovery and reconciliation with her husband forms the heart of this compelling story.

Film starring Rattan Bai and Hafisji.

Indranath’s son is ill, Guru Omkarananda suggests he pray to the goddess Kamala. His son improves but bad luck follows Indranath; his son and daughter die. Unable to stand the grief the Queen/Kalyani loses her mental equilibrium. Goddess Kamala manifests as Rupasi, the daughter of Omkarananda. Virodhananda and his son Tribhanga are the incarnation of Narad and Narayan on earth. The kingdom goes through difficult times. Omkarananda is arrested and Rupasi goes to meet Bastabesh/Indranath who is attracted to her. Rupasi takes refuge in Birodhananda’s house to avoid Bastabesh’s advances. Birodhananda is interested in getting his son Tribhanga married to Rupasi. Bastabesh goes after Rupasi/Kamala who blinds him. Finally the gods perform their miracle and a repentant Bastabesh is restored his sight and kingdom.

Dikshul is a 1943 Bengali film produced by New Theatres Ltd. Directed by Premankur Atorthy, the film featured music by Pankaj Mullick and cinematography by Rabi Dhar. Notably, the film's lyrics were penned by the renowned poet Kazi Nazrul Islam, and it marked the playback singing debut of actress Binota Roy.

Dikshul is a 1943 Bengali film produced by New Theatres Ltd. Directed by Premankur Atorthy, the film featured music by Pankaj Mullick and cinematography by Rabi Dhar. Notably, the film's lyrics were penned by the renowned poet Kazi Nazrul Islam, and it marked the playback singing debut of actress Binota Roy.

Prince Parvez is against the marriage his mother has arranged for him with a neighbouring princess.

This costume drama, adapted from Agha Hashar Kashmiri's classic Urdu play, unfolds a tale of rivalry, revenge, and love set against the backdrop of Roman persecution of Jews. The story centers on the Jewish merchant Prince Ezra, whose young son is tragically lost due to the cruel Roman Priest Brutus. In an act of vengeance, Ezra's slave kidnaps Brutus's infant daughter, Decia, bringing her to Ezra. Unable to harm her, Ezra raises Decia as his own, renaming her Hannah. Years later, Hannah falls in love with Marcus, a Roman prince (played by K. L. Saigal), leading to a complex web of mistaken identities, betrayal, and a dramatic confrontation that exposes the intertwined fates of both families and challenges notions of religion and lineage.

Madhavi's world is upended when her husband, Kedar, leaves her for the wealthy Chandra. Forced onto the streets, Madhavi finds solace in singing and soon crosses paths with artist Kumar, becoming his muse. Their connection deepens, but fate intervenes, leading Madhavi on a path that transforms her into a renowned singing star.

Madhavi's world is upended when her husband, Kedar, leaves her for the wealthy Chandra. Forced onto the streets, Madhavi finds solace in singing and soon crosses paths with artist Kumar, becoming his muse. Their connection deepens, but fate intervenes, leading Madhavi on a path that transforms her into a renowned singing star.