A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.

Based on the story by Pushkin. Pretty young Parasha is living with her widowed mother. Parasha diligently takes care of many household tasks, but she also enjoys flirting with the guards's officers who pass by her window, and she has one particular favourite. One day, Parasha's mother asks her to hire a cook, and to do so as cheaply as possible. Parasha and her beau soon see a way to use this situation to their own advantage.

This film captures a stage production at Bolshoi Theatre in Moscow, accompanied by the choir of Moscow Synagogue. Brothers Isaak and Borukh are both in love with Sarra, but Sarra chooses Isaac and they got married. However, Sarra could not conceive for ten years, and their Rabbi tells them that according to Jewish law, they must divorce. Isaak's parents push him to sign the divorce paper, then their Rabbi drops the divorce paper to Sarra's feet. She tells Isaac about her grief, and Isaak commits suicide. Soon after-wards, Sore realizes that she is pregnant, but she is now single.

Based on Gustav Kadelburg's farce The Road to Hell.

A Jewish parvenu climbs the social ladder by seducing wealthy women.