The myths of globalisation have been incorporated into much of our everyday language. "Thinking globally" and "the global economy" are part of a jargon that assumes we are all part of one big global village, where national borders and national identities no longer matter. But what is globalisation? And where is this global village? In 2001, John Pilger made 'The New Rulers of the World', a film exploring the impact of globalisation. It took Indonesia as the prime example, a country that the World Bank described as a 'model pupil' until its 'globalised' economy collapsed in 1998. Globalisation has not only made the world smaller. It has also made it interdependent. An investment decision made in London can spell unemployment for thousands in Indonesia, while a business decision taken in Tokyo can create thousands of new jobs for workers in north-east England.

Short documenter for Soesilo Toer, a writer and journalism who accused pro PKI.

A history of surrounding the context of the September 30 1965 and the various political and social changes in Indonesian society after that. The film features the voices of the community that during the New Order period silenced. Those who for more than thirty years of those who do not have connections and relationships in the events of 1965 are victims and victimized.

Events surrounding the murder of six of Indonesian's generals in 1965 have always been surrounded by controversy. This documentary takes advantage of recently declassified documents to try reconstruct what really happened, and also shows the extent to which Western powers were complicit in the anti-Communist purges that ended up killing hundreds of thousands of people.

Road movie-style documentary about the Great Post Road (De Groote Postweg/Jalan Raya Pos). Pramoedya Ananta Toer (1925), one of the most important Indonesian authors of recent decades, wrote an essay about the Great Post Road at the request of director Bernie IJdis. This thousand-kilometer road across Java was built at the beginning of the last century under the leadership of the Dutchman Daendels and cost the lives of thousands of Indonesian forced laborers. Because Toer, as a former political prisoner, is restricted in his freedom of movement, the filmmakers act as his eyes and ears during a trip along the Post Road. During the journey, parallels between Indonesia in the past and present slowly unfold. In addition, as the film progresses, the grimness of Toer's situation and the situation in his country becomes palpable.