After a hard day at work and a condominium-board meeting, accountant Ugo Fantozzi goes on a trip with his family. Unfortunately, he will face a nasty surprise upon his return.

One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live

The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.

A good-natured but unlucky Italian is constantly going on a difficult situations, but never lose his mood.

Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.

Fracchia is desperate: he has to sell a house with at least five bathrooms within three days or his boss will fire him. Incredibly, he and his pal Filini manage to find the perfect house, a castle in Transylvania owned by some count Vlad... things get even worse when they meet the Count and his sister, who has a crush on Fracchia and decides to marry him!

The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.

After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.

Patricia, a journalist, is fed up with all the stupid chores and being ridiculed by her colleagues. To show her talent, she challenges her director Eugenio to test her. She will write a good article, but if she fails she will sleep with him.

A handful of recruits prepares for a war that nobody knows about the purpose or the motive. The field commander is a general who plays with a Marx puppet and lives in a luxurious palace that looks like a cabin from the outside. His orderlies are a captain who lives in Arabic dress in a curtain and a sergeant in training who does not shine for intelligence. Continuing training between various and grotesque accidents until the order arrives for the front. And then?