Acting
No biography available.
West Berlin, summer 1968: the attitude to life at the time through the eyes of (at least) three different quartets: the anarchic bards of "Insterburg & Co." wander through the backyards of Kreuzberg, passing the time with silly poems, homemade instruments and their playmates. The lively Jacob Sisters and their four poodles make guest appearances as international show stars in the luxury hotels. And postcard Berlin is presented by four oil sheikhs who are on a state visit.
A comedy directed by Martin Müller.
Potato Fritz and his friends have moved from Germany to the American Wild West, settling eventually in the Rockies. They are besieged by what appear to them to be hostile Native Americans. Before too long, it becomes clear that the hostiles are in fact a gang of gold thieves. This movie is notable among German-made Westerns for its use of authentic period costumes and firearms.
A chubby-born young capitalist goes to the Riviera with three bums and casual laborers to successfully use his grandfather's surefire system in French casinos.
Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...
In 1972, the camera eye observes Friedensreich Hundertwasser in the ambiance he has created for himself and presents a wide selection of his beautifully coloured pictures, which are owned by collectors all over the world, while the artist himself speaks about his life, his work, his ideas, and his manifestoes.
A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.
Daddy, filmed in cooperation with movie director Peter Whitehead, discovers the connection between a father and little girl. Like the majority of Niki De Saint Phalle’s films, the flick combines autobiography with imagination, mixing erotic scenes of incest with a reverse of energy as the female character humors the daddy figure. Saint Phalle narrates the film, offering an almost psycho-analytical explanation of its content and explains the different inexplicable.
Cilly is too young for compromises. The man she loves is much older than her. Although he too is overwhelmed by his passion, he hesitates to burn all his bridges. When he is finally ready to end his marriage for this relationship, the conflicts between the lovers become increasingly intense...
Leni Gruyetin, a resident of Nazi Germany, lives a tumultuous life as she bears witness to the fascist regime of the Nazis.