The Unknown Woman is a documentary film scripted and directed by Elina Kivihalme. It depicts the reality of Finnish agriculture and forestry during the war years, when the home front relied entirely upon the work and endurance of the women. All farm work, caring for the children, woodcutting and other forestry operations were undertaken by the civilians, as the men in their prime were on the front.

Manne, Harri, and Ville Alfa are rootless twenty-somethings in search of purpose for their banal lives. After Manne steals a priceless painting from a group of petty criminals, Manne and Harri flee from the gangsters across Finland, while Ville goes to Paris. On the road they meet Veera, an old girlfriend of Harri's, and try to avoid the gangsters in pursuit.

Baby Girl, 30, a poet with a bachelor's degree in arts, is anguished because of her relationship with Pirkka, a relatively smart, young man. Baby Girl's parents, Eila and Rampe, do their best to become friends with Pirkka and his elegant mother. Through coincidence and error Eila occupies her summerhouse neighbors' empty luxury villa. When Pirkka's mother drops by, Eila lies that she and Rampe own the fancy house. The showing off and lying escalate when Eila's mother and sister show up. The real owners of the house, an upper-class couple, Thomas and Monica, are driven away to Eila and Rampe's modest cottage.

Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun's mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what's the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.

Story about human relationships, love and forgiveness.

Rome, Paris and Helsinki right after the Madrid bombings. Three stories about people who, for different reasons, are afraid of others – the eponymous "thy neighbor." A humanity full of differences, but at the same time, with very similar feelings. So similar that their stories appear almost parallel and complementary.

Two diverse families meet for the first time over Christmas dinner. The evening goes off the rails right from the start when the male host couple reveal a closely guarded secret: there's also a hostess in the house, and she's very pregnant! Of course, the frantic group of relatives don't take the news lightly and demand the paternity to be confirmed - which is no simple task. A series of misunderstandings drives the Christmas guests to the brink of a nervous breakdown, and as the evening progresses, Santa Claus himself is forced to look in the mirror. Their Christmas together seems doomed to failure until, to everyone's surprise, the evening culminates in a heart-melting Christmas miracle.

Year 1977. Punk and new wave rock'n roll has arrived to remote Finland and a bleak small town Oulu where increasingly odd-looking youths began to appear in the street with a message. Their rebellion speaks to Välde (17). Välde dreams of joining a rock band and becoming famous. He wants to get drunk for the first time, and to win the love of Pike, the most beautiful girl in the class. When Pike wins the Miss Blue Jeans contest organised by the country´s leading (and only) pop music magazine Suosikki and takes as her boyfriend the bourgeois Henri Hakala, Välde puts all his eggs in one basket. He abandons his former self and begins purposefully constructing a new persona for himself. But everything doesn’t go as Välde wanted … The film is based on a novel by Kauko Röyhkä, an author and indie rock musician.

A Finnish film version of Macbeth. Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

Talkative, hyperactive young drifter Ville Alfa goes around Helsinki, basically trying to borrow money from friends and strangers by means of an incessant delivery of quirky and snappy quasi-intellectual lines and fabricated excuses.