Get ready for the fifth volume of an incredible gay short film series! Male Shorts: International V5 features four brand-new short films focusing on gay, bi and generally curious men from around the globe. Iceberg takes place in Rio de Janeiro during the pandemic and follows two men who are haunted by the same mysterious spirit which seems to inhabit their plumbing. In Xavier, a young man uses his cell phone to come out to the world, his father and his best friend and crush all at once. The visually inventive Dreams concerns a documentary filmmaker who with his camera so that he can capture the dreams he has at night. Finally, It's Just Another Day follows Gabriele, who is torn between taking care of his sick father or running away to Rome with the man he loves. The 4 short films are: Dreams [Sonhos] (2022); It's Just Another Day [È solo un altro giorno] (2022); Xavier and Miguel [Xavier e Miguel] (2022); Iceberg (2022).

Four best friends take their book club to Italy for the fun girls' trip they never had. When things go off the rails and secrets are revealed, their relaxing vacation turns into a once-in-a-lifetime cross-country adventure.

Left heartbroken after Romeo begins to pursue her cousin Juliet, Rosaline schemes to foil the famous romance and win back her guy in this comedic twist of Shakespeare's Romeo and Juliet.

Gabriele is faced with a choice, to go and live in another city with his boyfriend Giorgio, and face his fears, or remain tied to his reality that is wearing him down.

One dark night during the early phases of WWII, the Italian Royal Navy submarine Cappellini sinks an armed merchant ship sailing with lights out. At that moment, its commander Salvatore Todaro makes a decision that was destined to go down in history: to save the 26 shipwrecked Belgians who otherwise would have drowned in the middle of the Atlantic Ocean and disembark them at the nearest safe harbor. To make room for them on board his submarine, he is forced to navigate on the surface of the water for three days, visible to the enemy forces and endangering his life and that of his men.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

Pressured from all sides by the figure of her father, Chiara Mastroianni decides to bring him back to life through her own self. She goes by the name of Marcello, dresses like him and asks to now be considered an actor, not an actress. The people around her believe this to be a temporary joke, but Chiara is determined not to give up her new identity…

This is the story of 3 friends, destined to lose and find each other over and over again. More importantly, this is the (true) story of a film theatre in Florence, The Universale, which was a cultural landmark in the city between the '60s and the '80s. It was a theater of its own kind, bringing together intellectuals, students, as well as the people from San Frediano, a well-known working-class Quartiere. Such unusual mixture among the cinema-goers also produced a sort of creative chaos, which is explored through the eyes of Tommaso, the projectionist's son.

On a visit to meet his girlfriend’s parents in a remote village in Tuscany, Primo is forced to prove his masculinity on a wild boar hunt.