Pierre Vassiliu Movies, TV Shows, and Filmography
Pierre Vassiliu
Acting
Biography
Pierre Vassiliu (23 October 1937 – 17 August 2014) was a French singer, songwriter and actor. His first record, "Armand", co-written with his brother Michel, appeared in 1962. It was an enormous success, selling 150,000 copies. This opened the doors of the Olympia in Paris to him, where he opened for the Beatles in 1964. He went on to a two-month stand with Françoise Hardy, Jacques Dutronc, and Johnny Hallyday. He had a string of hits, including "Charlotte", "Ivanhoe", and "La femme du sergent", censored because of the Algerian War. His 1973 song "Qui c'est celui-là?" was a cover of the 1972 song Partido Alto by Chico Buarque. It sold more than 300,000 copies and secured for him a place in the memories of the teenagers of the time. That same year he was also the voice of minstrel Alan-a-Dale in the French version of the Disney animated movie Robin Hood. With his vocal trio, he resurrected the old French song "Belle qui tiens ma vie", sung a cappella. In 2002, he covered Boby Lapointe's "L'Été, où est-il?" with Thallia on the album Boby Tutti-Frutti – L'hommage délicieux à Boby Lapointe by Lilicub. In 2003, he made a CD with Senegalese griots of the Kalone Orchestra of Casamance. Vassiliu lived a part of his life in the Casamance, the region of Senegal lying to the south of the Gambia. He died in his sleep in 2014, after years of battling Parkinson's. Source: Article "Pierre Vassiliu" from Wikipedia in English, licensed under CC-BY-SA.
Filmography Movies
Acting
Qui c'est celui-là ?
A walk in the promenade. The film traces a trajectory – from inside to outside, from shadow to light, from Vassiliu to Pierre, from the intimate to the public, from the past to the present. The film sounds like a song – one of which we remember the tune, sing a few couplets of and listen to the chorus with pleasure. Each outing is full of surprises and wonderful encounters. Meetings of emerging songs. A staging in small touches – like a chorus. At home, Pierre gets dressed, gets ready, gets dressed, puts on his stage shirt. Once outside, Pierre crisscrosses Sète. A port city where the incentive to travel is almost permanent. Pierre touches the people he meets with humor. The succession of these encounters places the film in the present.
Michel Delpech &... live at the Grand Rex, Paris
Périgord noir
The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.
Gaumont, the Étrange Anthology
To mark the 30th anniversary of L'Étrange Festival, Gaumont is opening up its archives to offer the best of its most secret, bizarre and crazy images, digitized for the first time. A unique program featuring black magic, surrealistic happenings, world records, the evolution of feminism, wild bets, vanished places, forgotten inventions and other delights.
What a Flash!
The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive. - Clarke Fountain, Rovi
Production
To Be a Crook
Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.
Périgord noir
The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.
The Girl Across the Way
A young student visits the home of a friend who has all the good looks, women and luck. Every day, through binoculars from his friend's window, he sees a young girl in front of her home. Although attractive, the woman's face has been badly scarred. He finds out her phone number and the two engage in pleasant conversation. He gets up enough nerve to ask to meet her in person, but the socially inept young man becomes paralyzed with fear. He again summons the courage to meet with her before he is plagued with fear once again.
Them
An artist grows hateful of commercial demands on his questionable talents when his friend and artist commits suicide. He puts the blame for his friend's death on an art critic and a shady art dealer. He is able to take out his frustrations on the pretentious critic at a party. When an elderly man moves into the boarding house, he brings a machine he invented that can make people realize their subconscious dreams...
The Duchess of Avila
An epic six-hour adaptation of Potocki's The Manuscript Found in Saragossa. Most famously filmed by Wojciech Has, this four part adaptation has the advantage of a vastly expanded running time, allowing for more of the novel to be incorporated >> shot on film, it was clearly a very expensive production and is equally spectacular in its own way.
Adélaïde
A mother and her daughter both have a relationship with the same man.
The Wild Racers
Promising young racing car driver Joe Joe Quillico leaves the stock car racing scene in the United States in order to pursue Grand Prix racing in Europe. After limited success he manages to win the Spanish Grand Prix. His love life however, is much less successful and his winning on the track only serves to alienate the woman he loves - with unhappy consequences.
Gallery
