To restore health to their little boy, the Henry couple decided to live in Brittany. The child has a cult of the sea. One day, he follows a band of little Bretons to the high seas and the children would all be drowned if their fathers had not arrived in time.

Nadia de Hock breaks her engagement to another man because of her love to the marquis d'Areghi. She lives a life of pleasure until Areghi reveals he is just an adventurer who has just killed his brother. He asks her to sign a letter so he can use her as his alibi. Some time later, Areghi is attacked by Nadia's guard dogs as he tries to see her. He dies as she forgives him for the pain he caused her.

This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.

Pierre is timid while his wife is ambitious and suffers from his mediocrity. She pawns everything she owns, rents a sumptuous apartment in a palace, and through bluffing, Pierre is appointed director of a perfume factory and the enterprising Arlette sees all her desires come true.