Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.

Two friends are taken hostage while on their way to see a childhood buddy.

October 2015. French customs seize seven tonnes of cannabis in the heart of the capital. The same day, Hubert Antoine, a former mole with a shady past, contacts Stéphane Vilner, a journalist at Libération. He claims to be able to demonstrate the existence of State drug trafficking led by Jacques Billard, prominent media figure and high-ranking French police officer. Suspicious at first, the young journalist finally dives into an investigation that will lead him to the darkest corners of the Republic.

In this film, director Rene Feret tells the story of his parents' lives. In 1935 his mother Aline works in her parents' cafe in a mining town in northern France. There, she meets a customer, Pierre and decides she is going to marry him. In a reversal of roles, she is the one who proposes to him, and she also engineers a false pregnancy to persuade her parents to okay the match. With a few stops along the way, the story picks up after the war with the birth of the couple's third son, who is given the name Rene in memory of their first, dead son. Never rich, they achieve some level of financial stability just as their sons are about to head off to the city for college. The love between the two older people is highlighted in a poignant scene as, just as he is about to die, the father shares a champagne toast with his wife in memory of one of their happier moments.

When a group of student actors travel to a workshop in Dordogne to put on a production of Shakespeare's As You Like It as a summer project, they are as lively and high-spirited a group as one could ask for. While they are there, the young man who has the leading role begins casting cow eyes at the director's wife (Valerie Stroh), and soon she and the boy are having an affair. By the end of the summer, the wife is sufficiently charmed to wonder how she could have gotten into this situation where she deeply loves both men.

Fictionalized portrait of one of history's great literary couples: Stein & Toklas. Summer 1930s France, Alice tends to ailing Gertrude; they visit Fernande Olivier, Guillaume Apollinaire, others; and Hemingway pops in.

An author returns to his hometown of Cognac for the first time in 35 years to help promote a distillery. Once there, he meets his first love’s son, Lucas. Memories come rushing back to him: irrepressible attraction, bodies becoming one in the heat of desire, a passion that can never be revealed… His first love’s name was Thomas. They were 17.

A woman involved with a terrorist group becomes dangerously close to the police officer guarding the bank they plan to rob.