Edmondo Roth plays the role of Bette Davis in this campy dark comedy by Pier Farri.

A young poet falls in love with a sophisticated woman who hates poetry. But the poet wants to win her with poetry — and a bit of help from his mum.

A true story, fillmed in Rome with both actors & non actors. in the 1500's Roman life was often a nightmare - Count Cenci tortured his family, raped his daughter, murdered his sons, created general havoc. Beatrice got her revenge, before she lost her head. A hectic, hysterical nightmare built of intercutting, movement & emotion.

Strains of Wagner's Das Rheingold and African tribal ululations collide with bi-/tri-sected television footage while negative-positive visuals smash heedlessly into their mirror images, an unbounded series of “meaningful” artistic fender-benders that amount to little of resonant substance.

A group of pilgrims in the Vatican is trapped in an enclosed elevator. Then chaos erupts, and repressed urges come to the surface.

Film poem in negative by Pier Farri. The second part of his trilogy 'Night scenes of artists and poets'.

Pier Farri's Futurist Europe focuses on Futurism as the first avant-garde film movement in history.

Self-shot: a film shot without a camera operator. Sole witness: the movie camera. Fixed, directed at a single expanse, obedient to the orders of wires that I manipulate: characters splitting in two through the asymmetrical filtration of the comings and goings of self-irony. Composed of various extracts of historical films, such as the Eisensteinian battleship, intercut with stairways of various sorts; the unceasing use of negatives persecuted by positives and vice versa; a cinematic-theatrical dialogue between philosophical doubling and filmic doubling.

An artist's self-portrait problematizing the choice between tradition and the avant-garde, between being free or being disciplined.