On a Sunday morning, a group of young revelers enter a large, vacated apartment. Tired drag queens mix with debauched grannies, drunken vagrants and shy virgins over the course of the morning.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Four young people, Bastien, Théo, Jeanne, and Han, meet in a Chinese restaurant. Jeanne talks a lot, especially about herself. Han, a young Chinese immigrant, is still looking for a place to sleep, but doesn't let on. The two boys size each other up and observe the girls.

While with one of his clients, the young male prostitute Cédric receives a voicemail from his mother. She is going through detoxification and desperately wants him to come and visit her. Cédric embarks on a journey through Paris, attempting to get to her as fast as he can against all the odds.

As a student cinematographer at a film school, Cédric is faced with some major problems.

Serge Daney (1944-1992) expressed himself strongly about the world, using the tools of a "Barthes cinema lover in early retirement" as he used to call himself. Co-writer of the book "Devant la recrudescence des vols de sacs à main", Pilippe Roger has filmed Serge Daney confronting him with four major stages in the evolution of cinema : by screening extracts from films by Chaplin, Stevens, Eustache and Truffaut, adding rhythm into this vivid and intelligent, strict but piercing documentary. Serge Daney takes risks : he rushes forward, plying between ethic and aestheticism, destruction and salvation, past and present, Europe and America, fantasy and reality, cinema and psycho-analysis, literary and technical languages, watching and showing. There's enough material here to reconsider the video.

Philippe Roger found the secretary of director Max Ophüls, Ulla de Colstoun, and Valere his first assistant, mobilized them on his project and, together during the documentary, they will both find in Normandy, the filming locations of Maison Tellier, sketch of the film Le Plaisir and the spirit of the film with the still intact impressions of these exceptional witnesses.

Two men meet in a park: Haldern has on a black balaclava, while Ablou is wearing white underpants. The film is based on choreography by Daniel Larrieu, who was invited to "play with the story board" of Alfred Jarry's book "Haldernablou", with illustrations by Tom de Pékin.

Ablou is a young man prisoner of a dream and a park. He meets strange characters who try to lock him up a little more in this long sleep.