On August 7th 1974, French tightrope walker Philippe Petit stepped out on a high wire, illegally rigged between New York's World Trade Center twin towers, then the world's tallest buildings. After nearly an hour of performing on the wire, 1,350 feet above the sidewalks of Manhattan, he was arrested. This fun and spellbinding documentary chronicles Philippe Petit's "highest" achievement.

A short documentary film of Philippe Petit's high-wire walk between the two north pylons of Sydney Harbour Bridge.

Mondo, a young orphaned gypsy, finds himself in France, where he scouts out potential foster families, evades the police and meets an assortment of eccentric people. In his travels, Mondo first encounters a magician who takes on the boy as an assistant. Then he moves on again, eventually befriending Dadi, a street-smart vagrant, and Giordan, a wise fisherman. All the while, the boy keeps an eye out for would-be parents.

Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.

Commissioned by developer Harry Macklowe to promote properties at 432 Park Avenue in New York City, this short film tells the story of a ballet dancer who travels from her mansion estate to the city to move into the building where certain famous faces come up along the way.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

Werner Herzog sets his sights on yet another mysterious landscape — the human brain — for clues as to why a hunk of tissue can produce profound thoughts and feelings while considering the philosophical, ethical, and social implications of fast-advancing neural technology.