In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

Claude Brasseur stars in this cinemadaptation of the Moliere play Georges Dandin, ou le mari confondu. Written in 1668, the play has been somewhat dwarfed by such like-vintage Moliere classics as The Imaginary Invalid. Still, it was popular enough in its time to inspire imitation, most notably Betterton's Don Juan and The Amorous Widow. The plot, involving a wealthy man's avoidance of marriage until he is trapped by a crafty widow, is but a peg upon which to hang any number of comic complications and character vignettes. Brasseur's leading lady is the toothsome Zabou.

Documentary by Manoel de Oliveira filmed in 1965 and exhibited in 2008 in the Venice Film Festival.

After eighteen years of psychiatric care, the former bank manager Augusto Scrivani returns home from his daughter-in-law Carla. Dino Risi directs a melancholy and scratchy Gassman.

Elvio Battistini works as a ticket taker in the local cinema of the small town where he lives. He has a prosthesis in one leg, the result of an accident, but he tells anyone who will listen it is a war injury. Giuseppe Mondardini, is also an older man living alone in what was the splendid family home. When Elvio and Giuseppe meet, they hit it off immediately. A trip to a cooler area is in order, so Mordardini unveils his ancient automobile.

Arthur is a history teacher who lives alone in Paris after having broken up with Claire. He is a sensitive man, full of existential doubts and questions. He has to go to Lisbon to meet an eminent historian whose work is the subject of his thesis. Having just made up with Claire, he decides to take her along. She's an ideal travel companion and it seems their relationship has not yet exhausted its potential. But moving from Lisbon to Oporto, their fantasy of a second honeymoon clashes with the reality of a world on the verge of a nightmare.

David has a wife and young daughter. In a few days he will be moving abroad with his family. The death of his grandfather obliges him to return to the village of his birth and a family he hasn’t seen in years. There he meets his cousin's wife Ana, who intrigues him, and this trip, which should have ended with the funeral, turns into a long stay.

Manoel de Oliveira's homage to Vila do Conde, with a poem by José Régio. It was shot in 1965, but only completed in 2008.

A meditation on civilization. July, 2001: friends wave as a cruise ship departs Lisbon for Mediterranean ports and the Indian Ocean. On board and on day trips in Marseilles, Pompeii, Athens, Istanbul, and Cairo, a professor tells her young daughter about myth, history, religion, and wars. Men approach her; she's cool, on her way to her husband in Bombay. After Cairo, for two evenings divided by a stop in Aden, the captain charms three successful, famous (and childless) women, who talk with wit and intellect, each understanding the others' native tongue, a European union. The captain asks mother and child to join them. He gives the girl a gift. Helena sings. Life can be sweet.

Manoel de Oliveira directs José Régio's historical epic of religious and political power struggles. King Sebastião plans to make Portugal the world's Fifth Empire.