The wife of a Marseille industrialist is murdered. An inspector and a young journalist investigate together, and suspect the husband, then the lover, before finding the real culprit.

In the pound, Pipo the dog recounts his adventures to his fellow inmates.

Bienaimé, a modest postman, in love with Janine, the village postmistress, does not know that he is the illegitimate son of the old Baron de Mondésir. The Baron dies and in happy amazement, Bienaimé finds he is the sole heir to the deceased's estate. But he should be careful, for two crooks, Waldemar and Erika, are after his newly-acquired wealth.

In the studio where the famous director Eric Von Berg reigns, Pierre Vanier, the male star of the film and the lover of Berg's muse, dies while rehearsing a scene. Over the course of a tangled investigation, the culprit is unmasked. This honest dresser is the adoptive mother of Vanier's wife, too unhappy with such a husband. The inspector, moved, concludes a suicide.

Olivier Cabrol is an immature young reveler who lives from hand to mouth. One day he inherits a fabulous fortune from an eccentric uncle. But on the one condition to spend a certain amount of time as a tramp. Olivier accepts out of sheer greed but soon finds the experience rewarding. He finds himself as well as new friends (true ones this time) and even love in the person of Colette.

The inhabitants of Marboue-Chambourcy want a swimming pool, and the difficulties in realizing this expensive dream divide the village into two clans: on one side the women, on the other the men. Piedalu, whom this conflict desolates, discovers by chance, as part of a found bicycle, a fortune in gold coins.

Alain, a doctor, has had his life turned upside down by a family tragedy. To forget, Alain joins the Foreign Legion. With the support of his captain, he wins the trust of the caïd Ben Hadj, heals and saves the latter's son, and falls in love with Kadidja, whom the caïd has entrusted to his care. Ben Hadj fights against the rebels, but sees his friend Alain die. Kadidja emerges to avenge him.

Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."