Solo show by Philippe-Audrey Larrue-St-Jacques: an intelligent, different and unique show that he offers with his deadpan, sometimes caustic humor and his appearance of a funny, slightly offbeat dandy.

A few years after they infiltrated a therapy program for fathers and sons, Marc Laroche is having some issues with his girlfriend Alice and Jacques is experiencing intense denial towards the fact that he is growing older. An incredible opportunity arises when Martin Germain, the lieutenant of the Mafia’s leader, and his girlfriend sign up for a bootcamp for couples. As Marc and Alice sign up for the therapy, Jacques invites himself in by pretending to be the psychologist's assistant.

Damien Nadeau-Daneau, a young filmaker, is unable to finish a movie he started with french actor Denis Lavant. Indebted, he’s working at a post-production company, far from his artistic ideals. On the eve of his 33rd birthday, he is self-centered, unsatisfied, and lost in his own life. With no drama of his own, he is confronted with that of others who he meets over the course of his life. He will discover that reality is way more interesting than fiction.

Always passionate about hockey, young Jean-Philippe Tanguay dreams of only one thing: becoming a player agent. He idolizes his cousin Yves Tanguay, a former NHL player, now playing with the Barbares de La Malbaie amateur hockey team. When the team advances to the Canadian championship, Yves convinces his young cousin to accompany him to Thunder Bay to attend the championship. The two cousins ​​see this as a unique opportunity for their careers and will embark on a road trip that will lead them to discover the price to pay to make their dreams come true.

To celebrate its 30th anniversary, the École Nationale de l'Humour presents a gala, gathering thirty graduates on stage who talk about their love for the establishment that saw them come into being.

Do you want to laugh but with a touch of French élégance ? Yes, it exists and it's hosted by a Belgian, in Switzerland !

After a year of filming abroad, Manu, a once prominent actor, returns to his hometown. But getting back into the business isn't as easy as he thought. After several unsuccessful auditions, he's no longer sure of anything. Against all odds, he lands a job hosting a nighttime call-in radio show. His listeners are mainly newcomers, refugees and exiles with varied life experiences, working graveyard shifts. Manu gradually appropriates this space, this gathering of mixed voices, to launch philosophical questions into the night. His words are engaging. He becomes an anchor for many listeners. His life takes on new meaning.