Young regional director Petr Dresler accepts an offer to direct the play "The Last Train to Sussex Has Already Left" at a large brick theater in Prague. However, he has no idea that all Prague directors have already turned down this job before him.

Inseparable friends Štěpán and Kendy are students in their final year of high school. When they are in the principal's office after the trouble with the rather scandalous song "On the Carpet", the school principal gives them the idea of ​​rehearsing a theater performance. They decide on Tyl's Forest Maiden in a rather unconventional version - with music, singing, and several unusual props. While Kendy sees the theater as not only an opportunity to enjoy himself, for Štěpán it is a chance to get closer to the charming Marcela Borůvková. What was originally just a student recession soon starts to get out of hand for both authors, not only because of the quirky cast but also because of information in the press, which is taken care of by the father of one of the classmates. The business is gaining in size, and even a television station is contacted, which shows an interest in making a program about the performance. At that moment, the disaster seems inevitable to Štěpán and Kendy.

Sudetenland, May 1945. A group of retreating German soldiers capture a group of young female workers, totally deployed in a chemical factory. He wants to use them as hostages during his advance to the American demarcation line. Together with them, they take refuge in a nearby castle, which soon becomes the site of the last battle that takes place both in the minds and in the backdrop of war-torn Czechoslovakia, shortly before liberation. A psychological probe as well as an intimate drama set within the walls of a small castle, it is a mosaic of mini-stories charting the fates, attitudes and thought processes of individual characters on both sides of the barricade.

At the turn of the 10th and 11th centuries Boleslav's kingdom fell apart in the fratricidal war between the Přemyslovci and the other clans the main profiteer of this being the German emperor. At that time it seemed as if the Czech state and the lineage of its princes was awaiting its end..." It is with these words that the tale of this film begins, whose narrative is based upon the the play by František Hrubín of the same name.

A psychological drama exploring the notion of the doctor as a moral authority, who within the framework of their everyday work must face questions of life and death. The film is adapted from a novel by Valja Stýblová, in which the author draws upon her personal experiences as a former neurosurgeon. The protagonist of this drama is an ageing professor, based at a Prague neurological clinic, who is haunted by issues concerning his own principles and values, and also by the case of a young patient, Víťa, afflicted with an inoperable tumour.

On the outskirts of Třeskoprsk, in a small house, live four friends. Fifinka, Pinďa, Bobík, and Myšpulín sit around a campfire reminiscing about the adventures they had over the past year. Each of the heroes tells a story that they consider to be the very best. With Pinďa, we experience a successful climbing trip to Devil's Thumb; with Myšpulín, a thrilling search for the cruel Werewolf; with Bobík, a fantastic journey into space; and with Fifinka, a Christmas visit to the little devils. Whose story will be the most beautiful?

Told from the perspective of man reflecting on his childhood in Prague in the early years of World War II and the eventual destruction of his family as the Nazis rise to power. The storyline focuses heavily on Jewish-Czech Silberstein family members. Drama was filmed on the real events as a tribute to Mr. Nicholas Winton, the British humanitarian who organized the rescue of 669 children, most of them Jewish, from Czechoslovakia on the eve of the Second World War in an operation later known as the Czech Kindertransport from German-occupied Czechoslovakia and likely death in the Holocaust.