An indispensable symbol of Christmas. J. J. Ryba's most popular composition performed by A. Poláčková, V. Hajnová, P. Nekoranec, J. Šťáva, the En arché chamber choir, the Česká píseň mixed choir, and the Czech Philharmonic Orchestra conducted by J. Bělohlávek. The Czech Christmas Mass, also known as the "Hey, Master" Mass, in Latin Missa solemnis Festis Nativitatis D. J. Ch. acomodata in linguam bohemicam musicam – que redacta per Jac. Joa. Ryba, is a Czech-language church composition by this year's jubilee celebrant Jakub Jan Ryba (1765–1815). Although it is structured in the same way as a Latin musical mass with parts of the ordinary (Kyrie, Gloria, etc.), it is a pastoral play applied to traditional liturgy; the story tells of the annunciation of Christ's birth and the arrival of the shepherds at the manger. The Czech Christmas Mass has a purely pastoral character, set in a Czech environment.

A popular production from 2021, straight from the historic building of the National Theatre. This star-studded title is directed by experienced director Magdalena Švecová, with soloists, the National Theatre Orchestra and Choir, and conducted by Jaroslav Kyzlink. The Barber of Seville was composed by the then 23-year-old Gioachino Rossini in just three weeks, resulting in a witty and dynamic work that perfectly captures the genre of Italian opera buffa. Rossini based his work on the 1772 play The Barber of Seville, or The Misguided Precaution by French dramatist Pierre-Augustin Caron de Beaumarchais. The two-act opera tells the story of the young love between Rosina and Count Almaviva. However, her guardian Don Bartolo also has his eye on her. Almaviva does not give up and asks the local barber Figaro for help, who comes up with a daring plan to bring the couple to their dream wedding.

The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

The 2017–18 Live in HD season concluded with an enchanted performance of Cendrillon, Massenet’s glittering operatic adaptation of the Cinderella story. This charming staging by Laurent Pelly, which bursts to life with the director’s characteristic wit and whimsy, stars American mezzo-soprano Joyce DiDonato as the title outcast-turned-princess. Mezzo-soprano Alice Coote offers a touching portrayal of the pants role Prince Charming, while soprano Kathleen Kim shines as the Fairy Godmother. Mezzo-soprano Stephanie Blythe, as the outlandish Madame de la Haltière, and bass-baritone Laurent Naouri, as the haggard Pandolfe, round out the principal cast. On the podium, conductor Bertrand de Billy leads a performance that is equal parts madcap comedy and heartfelt romance.