Hynek Michánek wants to study medicine but fails his entrance exams five times. He starts a job as an orderly in a district hospital where one of the doctors on the examining board works as well. He feels no-one takes him seriously and he loathes the doctors, who treat him with disdain. When an old man begs him to end his pain and suffering by helping him to die, Hynek gives him a "liberating" injection. But now he has done it once, he finds he can't stop. He continues killing other patients, even though he knows he can't get away with it for long.

The four stories in the film form a mosaic of the fates of several married or partner couples who, at a certain turning point in their lives, are dealing with issues of wanted, unwanted, desired, or thwarted parenthood. The intention of screenwriter and director Alice Nellis is to use the parallel narration of several stories to show that the problem of modern parenthood is broader and deeper than the specific situation of any individual character. The number one domestic director once again comes up with a story that can touch viewers regardless of age or status. Each of the stories told about the desire for a child, the fateful decision of whether to have a child or not, or the effort to cope with the pitfalls that life has placed before us, could be your own.

A Christmas comedy-fairy tale in which Prince Leopold and Princess Josephine defy fate by vowing never to marry. When a time-travel adventure to the future goes awry, they must fight for their lives and their kingdom, only to discover, as in all fairy tales, that destiny has other plans.

The world's top thieves join forces to pull off the heist of a lifetime. But when they find themselves pursued across Europe by a legendary French detective, they'll have to take their game to the next level.

Twenty-five years after their youthful ski-camp friendships, a tight-knit group of former classmates reunites at the same mountain lodge to see if a long-held platonic crush can finally turn real, and to reckon with all they never said or did.

Kamila Bendová is a successful woman. She is fully fulfilled in her work and could be described as a workaholic. She is 39 years old and lives alone, except for occasional meetings with her boyfriend Igor. After a disagreement with him, she allows her friend Irena to persuade her to go on a weekend trip to Vienna. However, there is one problem on the way - a stop in South Moravia and a meeting with Laďa Bednařík, a fifty-year-old veterinarian who has been treated for alcoholism three times.

Based on the popular television series Okresní přebor. As the title suggests, the film features the legendary figure of licensed coach Josef Hnátek. Since this man appeared in the series only as ashes scattered on the Houslice football field, the filmmakers decided to introduce him to viewers in his living form. The story of the feature film is set during his lifetime and explores the dilemma of a man for whom football is his whole life. Even more than life itself. The title role of the Houslice personality will be played by theater director, artistic director of Prague's Dejvické Theater, and occasional actor Miroslav Krobot.

Urban, an orphan, serves a greedy master watchmaker as an apprentice. When Urban grows up, he falls in love with the watchmaker's daughter Laura and wants to marry her. Before this can happen, the master sends his apprentice out into the world with the task of looking for a mythical watch that can warn of death. No one knows if the watch even exists, but if Urban doesn't bring it back, Laura will never be his wife. The watchmaker's apprentice therefore sets out on a long journey full of hardships, which he must overcome with bravery, skill and a good heart.

Czechoslovakia, summer 1968. Charlotte is rushed to hospital following a collapse resulting from a heart defect. The medical verdict is that the only way to save her life is a heart transplant.

A wealthy middle-aged man at the airport witnesses a tiny incident involving an unknown, perhaps Arab, young man and airport staff. After the young man is confronted directly at the airport toilets, he feels himself subject to an indefinable but increasingly serious sense of danger. The fear of the evil that had, as it were, encircled the man since then, gradually becomes an obsession. The urgent desire to see the evil, to confront it and destroy it.