
Production
Choreographer and director Peter Wright is one of the most eminent names in ballet. His Royal Ballet productions of The Nutcracker and Giselle are among the most popular works in the Company’s repertory. Wright made his debut as a dancer with Ballets Jooss during World War II. He created his first ballet, A Blue Rose, for Sadler’s Wells Theatre Ballet in 1957. In 1961 he joined John Cranko’s new Stuttgart company as Teacher and Ballet Master, choreographing several ballets and mounting his first production of Giselle. Wright’s productions of the classics now feature in the repertories of companies around the world. In 1969 he joined The Royal Ballet as Associate to the Directors, later Associate Director. In 1977 he was appointed Director of Sadler’s Wells Royal Ballet, supervising the company’s transformation into Birmingham Royal Ballet in 1990. He had the title Director Laureate conferred on him by Princess Margaret on his retirement from the company in 1995. In 1990 Wright was presented with the Queen Elizabeth II Coronation Award by the Royal Academy of Dance, an Honorary Doctorate from London University and in 1991 was made a Fellow of the Birmingham Conservatoire of Music. He was awarded a knighthood (1993), an Honorary Doctorate of Letters from the University of Birmingham (1994), the De Valois Award for Outstanding Achievement in Dance (2004) and the Centenary Award for Dance (2013). He is a Vice-President of the Royal Academy of Dance and Patron of the London Ballet Circle. His autobiography Wrights & Wrongs: My Life in Dance was published in 2016.

Sir Peter Wright’s 1984 version of The Nutcracker for The Royal Ballet, still performed by the Company, stays close to Hoffmann’s original tale. It emphasises Drosselmeyer’s mission to find a young girl – Clara – who can break the curse imposed by the Mouse King on his nephew Hans Peter and thus restore him to human form. References to Nuremberg and German Christmas traditions are present in the settings, with a kingdom of marzipan featured in Act 2.

Swedish performance of the great Tchaikovsky's ballett.

Tchaikovsky and Petipa's timeless ballet - acknowledged to be the most pure and demanding piece in the classic romantic repertoire – brings out Petipa's rich dance vocabulary with the sparkling virtuosity a superb performance needs. Recorded at Het Muziektheater in Amsterdam with The Dutch National Ballet in 2004. Choreographer Sir Peter Wright's sensitive staging closely reflects Marius Petipa's original work. Philip Prowse's ravishing Baroque sets and costumes add the glamour and grandeur essential to a ballet intended for the court of the Russian Tsar.

Tchaikovsky and Petipa's timeless ballet - acknowledged to be the most pure and demanding piece in the classic romantic repertoire – brings out Petipa's rich dance vocabulary with the sparkling virtuosity a superb performance needs. Recorded at Het Muziektheater in Amsterdam with The Dutch National Ballet in 2004. Choreographer Sir Peter Wright's sensitive staging closely reflects Marius Petipa's original work. Philip Prowse's ravishing Baroque sets and costumes add the glamour and grandeur essential to a ballet intended for the court of the Russian Tsar.

Sir Peter Wright’s 1984 version of The Nutcracker for The Royal Ballet, still performed by the Company, stays close to Hoffmann’s original tale. It emphasises Drosselmeyer’s mission to find a young girl – Clara – who can break the curse imposed by the Mouse King on his nephew Hans Peter and thus restore him to human form. References to Nuremberg and German Christmas traditions are present in the settings, with a kingdom of marzipan featured in Act 2.

This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.

A re-staging of the Royal Ballet's 1985 production, with Anthony Dowell - this time as Drosselmeyer - and a new supporting cast. This Royal Ballet production of The Nutcracker (staged by Peter Wright) is a mix of the Balanchine and Vainonen schools of the Nutcracker. The Balanchine version of the Nutcracker emphasizes the child s fantasy: a land of sweets, with comic relief. The Vainonen Nutcracker emphasizes the romantic dreams of an adolescent.

Join Clara at a delightful Christmas Eve party that becomes a magical adventure once everyone else is tucked up in bed. Marvel at the brilliance of Tchaikovsky’s score, as Clara and her enchanted Nutcracker fight the Mouse King and visit the Sugar Plum Fairy in the glittering Kingdom of Sweets. Peter Wright’s much-loved production for The Royal Ballet, with gorgeous period designs by Julia Trevelyan Oman, keeps true to the spirit of this festive ballet classic, combining the thrill of the fairy tale with spectacular dancing.

Join Clara at a delightful Christmas Eve party that becomes a magical adventure once everyone else is tucked up in bed. Marvel at the brilliance of Tchaikovsky’s score, as Clara and her enchanted Nutcracker fight the Mouse King and visit the Sugar Plum Fairy in the glittering Kingdom of Sweets. Peter Wright’s much-loved production for The Royal Ballet, with gorgeous period designs by Julia Trevelyan Oman, keeps true to the spirit of this festive ballet classic, combining the thrill of the fairy tale with spectacular dancing.

The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. This is one of The Royal Ballet’s most loved and admired productions, faithful to the spirit of the 1841 original yet always fresh at each revival. This performance features former Bolshoi star and now Royal Ballet Principal Natalia Osipova in a breath-taking interpretation of the title role.

