The murder of a museum curator places art dealer Jack Saunders under suspicion for selling forged treasures to museums. When Jack suddenly dies in a car crash, his wife Adrienne tries to discover what he did on her own. She finds that she knew little about the man she was married to. The more she learns about her husband's possible illegal activities and double life, the more she places her daughter, and herself, in grave danger.

Three orphaned boys - O'Malley, Rossi and Moir - become blood brothers. When they grow up, they plot revenge on the crooks who got away with shooting O'Malley's father. The crooks are doing very nicely importing heroin and laundering money. The boys begin by killing one of the crooks, stealing his indentification and cleaning out the guy's Swiss bank account. But their revenge does not stop here... And the American end of the operation is getting very curious.

Sam works on the tolls and likes to listen. He overhears more than he bargains for and becomes embroiled in a mishmash of corruption and blackmail. Anna is a hooker who specializes in throwing tomatoes at ageing weirdos. Sam and Anna's paths cross as he works to expose shady maneuvrings by the CEO of Infacorp, who is out to land a contract to build a tunnel under Auckland harbour.

This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based films that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and a retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and big screen romance Broken English. Wright died in November 2018.