Shadowplayers is a two hour documentary film by James Nice tracing the early history of iconic Manchester Label Factory Records between 1978 and 1981. The facts and the fictions are explored through candid interviews with 22 key participants, including Anthony H. Wilson (Founder) and Peter Saville (Designer), as well as musicians including Peter Hook (Joy Division/New Order), Vini Reilly (Durutti Common), Simon Topping and Martin Moscrop (A Certain Ratio), Chris Watson (Cabaret Voltaire) and Howard Devoto (Buzzcocks/Magazine). The film is divided into 19 chapters, covering subjects such as The Factory Club, sleeve art and graphic design, producer Martin Hannett, the riot at the Joy Division concert at Bury in April 1980, The Factory Beneleux connection, the tragic suicide of Joy Division singer Ian Curtis, the beginnings of New Order, and the decline of the post-punk culture in 1981.

In 1968, art students Storm Thorgerson and Aubrey “Po” Powell made a trippy photo collage for their musician friends Syd, David and Roger. The resulting album and album cover, A Saucerful of Secrets, helped launch two careers: that of Pink Floyd, one of the 70s megabands, and of Hipgnosis, which, over the course of the next 25 years, designed a stream of iconic album covers.

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

A chronological account of the influential late 1970s English rock band.

Rising from the ashes of the legendary British post-punk unit Joy Division, the enigmatic New Order triumphed over tragedy to emerge as one of the most influential and acclaimed bands of the 1980's, embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contempraries. "New Order Story" is the definitive documentary on the band and traces their history all the way back to its origin with Joy Division. This extended version includes additional interviews and live footage, over 2 hours of great New Order footage. A longform video chronicling the band's history and music with interviews by Bono, Neil Tennant, Quincy Jones and others.

An examination into Factory Records. The members of New Order interview founders Tony Wilson and Martin Hannett, who speak on the philosophical and cultural purpose of their label, and their associates, who mostly appear frustrated or confused. Rob Gretton, Factory founder and manager of New Order, interviews himself. Also includes three live performances of New Order at the Haçienda.

Part concert, part documentary, this film follows the band’s preparations in the re-staging of their acclaimed collaboration So It Goes.. with the artist Liam Gillick and the 12-piece synthesiser orchestra that spectacularly captured the headlines during Manchester International Festival 2017.

My mother used to wake me up with a vinyl record. It's the first thing I remember about life. Many years have passed but vinyl records have never abandoned me. And you? Have you ever listened to a vinyl record? With its unique sound and crackling that gives you butterflies. Have you ever plunged into the colours of the sleeves artwork? Have you smelled it? Music captures a unique taste, seductive. In "Vinylmania" the director guides us through the grooves of an object that has never lost its soul. He investigates what makes it so legendary in a world dominated by liquid music: Simple nostalgia? Possession? The search for an idenitity? A cry against the fast food music? The digital river that has no heart or soul, just ones and zeros...

SKY ARTS presents Suede's Coming Up (released on Nude Records in 1996) in the Classic Albums series.

Featuring interviews with New Order's Bernard Sumner, Peter Hook, Stephen Morris and Gillian Gilbert, Record On: Power, Corruption and Lies unravels the creative process behind New Order's 1983 album, Power, Corruption and Lies as well as standalone single Blue Monday and explores the themes inside the album, of a band finding new direction and moving on from its past. Taking inspiration for their evolving sound from New York's new-wave clubs of the early 1980s and newly acquired sequencers and keyboards, electronic instrumentation quickly drove New Order's songwriting process, conceiving global smash-hit Blue Monday. This film also explores the impact of the technological shifts that took place in the early 1980s as the digital-age began to percolate through all parts of society - from commerce and financial trading, to offices and home entertainment; with contributions from graphic designer Peter Saville, Blue Monday producer Michael Johnson and American record producer Arthur Baker.