In Du a woman visits a friend of her recently deceased father. They speak about the father’s scientific achievements, gravitational waves and spatial geometry. The film is an attempt, in the context of a play, to reformulate the film expression. To show in musical and abstract picture sequences different forms of order and disorder, the limit of thought and our place in the universe.

In Du a woman visits a friend of her recently deceased father. They speak about the father’s scientific achievements, gravitational waves and spatial geometry. The film is an attempt, in the context of a play, to reformulate the film expression. To show in musical and abstract picture sequences different forms of order and disorder, the limit of thought and our place in the universe.

In Du a woman visits a friend of her recently deceased father. They speak about the father’s scientific achievements, gravitational waves and spatial geometry. The film is an attempt, in the context of a play, to reformulate the film expression. To show in musical and abstract picture sequences different forms of order and disorder, the limit of thought and our place in the universe.

A young man is seeking an identity.

A young man is seeking an identity.

A young man is seeking an identity.

A young man is seeking an identity.

A young man is seeking an identity.

Paris d-moll [Paris D Minor] is an impressionistic city symphony with everyday scenes from Paris, reminiscing of the works of Joris Ivens and Walter Ruttmann.

An experimental film about a lost young man among stagnant people.