On May 30, 1990, Midnight Oil interrupted its North American tour for a “special guerrilla action” on the crowded Avenue of the Americas in midtown Manhattan. The agit prop event was a live concert from the back of a flat-bed truck that eventually drew more than 10,000 people at the high noon hour. The Australian band took this chance to make public its feelings on the planet’s crumbling environment

An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.

Rage celebrates turning 30 with this special look at its history and influence on Australian music and culture.

On January 13th 1985, Midnight Oil performed the Oils on the Water concert on Goat Island, Sydney, to celebrate radio Triple-J's tenth birthday, before a select crowd of 400 (half competition winners and half staff, media and friends, though other fans swam across). The concert was simulcast live on ABC TV and Triple J radio, released on video, then later remastered as part of the 2004 Best of Both Worlds DVD set. Oils on the Water was a classic Midnight Oil performance and setting with the band in fine high-energy form, caught in the light of the setting sun, against the backdrop of the Sydney Harbour Bridge.

Oils on the Water Filmed on location at Goat Island, Sydney Harbour National Park, 13th January 1985 Saturday Night at The Capitol Filmed on location at The Capitol Theatre Sydney, 27th November 1982

Saturday Night at the Capitol An incendiary show from 1982 at the Capitol Theatre, Sydney, shot for the band by award-winning filmmaker Dave Bradbury on 27 November 1982 for ABC radio station Triple J. Track listing "Only The Strong" "Brave Faces" "Short Memory" "Knife's Edge" "Power and the Passion" "Armistice Day" "No Time For Games" "Quinella Holiday" "Lucky Country" "Don't Wanna Be the One" "Burnie" "Powderworks"

20,000 Watt R.S.L. is a compilation album by Australian rock band Midnight Oil released in October 1997 on their own label Sprint Music. The word "Collection" appears on the front of the DVD along the hinge in the same type face as the title and the name of the band and may have been intended as part of the album's title; however, it does not appear on the spine. The release has also been distributed inside a cardboard sleeve which adds "Midnight Oil: The Hits" to the album art, distinguishing it as a compilation album. The compilation covers the majority of Midnight Oil's career, starting with their 1979 album Head Injuries, and includes tracks from all their major studio releases (and one EP), even including two songs from Redneck Wonderland, which was released after the compilation in 1998.

Across a 45-year career ‘The Oils’ helped shape modern Australia with anthems like “US Forces”, “Beds Are Burning” and “Redneck Wonderland”. Featuring unseen footage and interviews with every band member, alongside signature moments including the outback tour with Warumpi Band, their Exxon protest gig in New York and those famous “Sorry” suits at the Sydney Olympics, Midnight Oil: The Hardest Line traces the journey of Australia’s quintessential rock band.

Every 'overnight sensation' in the music industry is preceded by a few years of fine-tuning the act. But 40,000 years? From the far north of Australia, YOTHU YINDI draws on the song cycle of its Arnhem Land ancestors to create a mesmeric mix of traditional Aboriginal music and rock 'n' roll. Into the Mainstream takes us on a journey across the vast continent of America with YOTHU YINDI, on the 'Diesel and Dust to Big Mountain' concert tour featuring MIDNIGHT OIL and American Indian band GRAFITTI MAN. The bands travel 16,000 km over 38 days and play to crowds of up to 10,000. On the way they meet American Indian communities to talk about land rights and cultural identity, culminating in the presentation of a gift from the Yolngu people in Arnhem Land to the Navajo elders in Big Mountain, Arizona. YOTHU YINDI proves to be a revelation on tour - Aboriginal traditional music and dance quickly become the latest American vogue in performing art.

In 1984, Midnight Oil released their iconic record Red Sails in the Sunset. They embarked on a relentless tour around the nation performing raw and electrifying music that reignited the imagination of young Australians. That same year, their lead singer Peter Garrett committed to run for a Senate seat for the Nuclear Disarmament Party. With the mounting pressure of balancing the demands of music and politics this is the year that would make, but nearly break, Australia's most important rock and roll band. Thirty years in the making and featuring never seen before seen footage of the band on and off the stage, Midnight Oil: 1984 is the untold story of the year Australia’s most iconic rock band inspired the nation to believe in the power of music to change the world.