Single father Tsui meets university student Gigi who works at an old-fashioned barber shop that Tsui frequents. They bond immediately and begin a profound exchange. The fleeting friendship is a pleasant surprise during times of vulnerability, but does not help to overcome their individual challenges and demons. Tsui continues to put off dealing with a pressing matter that has long been eating him. Amidst the social unrest, Gigi’s outlook and musings on life lead Tsui to reflect on the unsolved matter and he eventually makes an important decision.

Kay is a tough-as-nails investigative reporter, and goes undercover at a home for the disabled based on a tip about staff abuse of the residents. She not only corroborates the frightening allegations but also discovers how disastrously flawed Hong Kong’s health care system is, especially for those who cannot care for themselves. However, after her story breaks, further unspeakable truths are revealed leading Kay on a dire crusade for justice.

Mei-chun’s family seems to get along on the surface, but everyone holds a secret. Mei-chun desperately wants to see her father again; her brother hasn’t told anyone that he has separated from his wife; and her mother still feels guilty over her husband’s departure years ago. As Mid-Autumn Festival approaches, can the family mend its wounds?

Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.

A renowned charity foundation is holding its annual charity party. It’s a glamourous meeting of the foundation’s friends, associates and the city’s most elite socialites. Just as foundation chairman Ko Shing Man is about to give his annual speech to the attendees, Yeung To – the foundation’s chief financial officer - suddenly hangs to his death on the stage. As suspicions surround Yeung’s death, rumors of a missing $200 million charitable donation begin to run rampant, attracting the attention of the masses. The mystery brings barrister Ma Ying Fung and police officer Or Ting Bong together as they form a temporary partnership to uncover the truth behind the foundation’s dealings. Can they expose all the dark truths behind the foundation’s wrongdoings and restore justice?

Like her directorial debut Twelve Nights, Twelve Days depicts 12 scenes of a tumultuous marriage, from its blissful beginning through its bitter collapse. On day one, Jeannie and Simon seem to have the makings of a perfect marriage, but the following 11 vignettes reveal the various conflicts, both big and small, that slowly eat away at their bond. Love may build a marriage, but Twelve Days shows that reality can just as easily shatter it.

Features three short films– Killing Me Softly, No Way Out and Memento Mori – revealing the most terrifying and ugly side of human nature. The final chapter of Tales From The Occult is unpredictable, where life and death are just a thought away.

A fortune teller fails to help a prostitute who is facing a deadly calamity. When he meets a young boss of a tea restaurant, he predicts that his bloodthirsty tendencies will lead him to a prison sentence for murder.

The film is set in a future when the central government attempts to replace every citizen’s name with numbers. In such a social upheaval, Ma Yi cares nothing but cancels an auto-masturbating machine. While Ma Yi doesn’t violate the law, he is however arrested and interrogated by the police.

Sequel of “Even Ants Strive for Survival” (2017). To earn money for his ailing father's medical expenses, Ma Second needs to attend a job interview. The process is constantly haunted by past experiences, like a nightmare, which he responds to with intense, frantic behavior. Viewers concerned about Hong Kong politics will easily understand Ma Second's anxiety and see the director's strong self-expression.