Growing up in the Mission district of San Francisco, Che Rivera has always had to be tough to survive. He's a powerful man respected throughout the Mission barrio for his masculinity and his strength, as well as for his hobby building beautiful lowrider cars. A reformed inmate and recovering alcoholic, Che has worked hard to redeem his life and do right by his pride and joy: his only son, Jes, whom he has raised on his own after the death of his wife. Che's path to redemption is tested, however, when he discovers Jes is gay. To survive his neighborhood, Che has always lived with his fists. To survive as a complete man, he'll have to embrace a side of himself he's never shown.

Growing up in the Mission district of San Francisco, Che Rivera has always had to be tough to survive. He's a powerful man respected throughout the Mission barrio for his masculinity and his strength, as well as for his hobby building beautiful lowrider cars. A reformed inmate and recovering alcoholic, Che has worked hard to redeem his life and do right by his pride and joy: his only son, Jes, whom he has raised on his own after the death of his wife. Che's path to redemption is tested, however, when he discovers Jes is gay. To survive his neighborhood, Che has always lived with his fists. To survive as a complete man, he'll have to embrace a side of himself he's never shown.

Dolores Huerta bucks 1950s gender conventions by starting the country's first farm worker's union with fellow organizer Cesar Chavez. What starts out as a struggle for racial and labor justice, soon becomes a fight for gender equality within the same union she is eventually forced to leave. As she wrestles with raising 11 children, three marriages, and is nearly beaten to death by a San Francisco tactical police squad, Dolores emerges with a vision that connects her new found feminism with racial and class justice.

Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on the White House. Along the way they meet a mysterious Black woman. Together, these four men and one woman encounter racism, sexism, internal conflicts, and finally redemption as they discover their common humanity and their internal ability to conquer the societal ills that effect them all.

Single father and Cusco radio host Fernando shares a modest yet endearing hobby with his son: dubbing classic animated clips into Quechua, an Indigenous language spoken by a relatively small population. When one of their dubs unexpectedly goes viral, a private passion transforms into something far more ambitious and meaningful.