One evening, in a remote Norwegian mountain-town, two 12 year old girls meet. For the first time in their lives they are thrown into a strong emotional confrontation. The next day, Unn is unable to meet Siss again. Instead, she ventures alone into the cold, lonely winter landscape.

Someone has broken into their country summer house. This shakes up the parents. But Nina's fantasy is triggered, learning the break-in is done by an 11 year old boy, running away from home. With the code name Zeppelin, she learns him to know.

«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity

It's winter in a suburb. A housewife is brutally raped. A young woman becomes a victim of attempted rape. The Police tighten noose on Anders, a young road worker who was seen on the site in both cases. The two women think they recognize him in the lineup, and police investigators use all their strength to solve the case. Anders is a common and simple individual. He could be any youth. The meeting with the ongoing investigation and the solid judiciary, forces him out of a seemingly monotonous, habitual life and forces him to react and think.

A young man returns home from college during a holiday break to visit his widowed mother. Along the way he meets an attractive woman and they hit it off so well during his return trip that she accepts an invitation from him to stay at his Mother's house during his stay. But his Mother is not pleased with this surprise as she has rather strong feelings for her own son and desires to keep him all for herself.

A young man returns home from college during a holiday break to visit his widowed mother. Along the way he meets an attractive woman and they hit it off so well during his return trip that she accepts an invitation from him to stay at his Mother's house during his stay. But his Mother is not pleased with this surprise as she has rather strong feelings for her own son and desires to keep him all for herself.

Anton is a teenage boy living with his father in the Norwegian countryside. When his father's mental health deteriorates, the local physician suggests that Anton's mother, who left them both many years ago, should take care of him. Anton, who resents his mother, struggles against the authority of his elders and also tries to help out an old neighbor and friend.

Anton is a teenage boy living with his father in the Norwegian countryside. When his father's mental health deteriorates, the local physician suggests that Anton's mother, who left them both many years ago, should take care of him. Anton, who resents his mother, struggles against the authority of his elders and also tries to help out an old neighbor and friend.

Two women share a room in a hospital. One has just given birth to a stillborn child, the other has had her ovaries removed. Bonding over their trauma, past and present, both women in turn taking care of the other, they become friends and try to help each other upon leaving the hospital.

Fredrik, nicknamed "Silver mouth" for his braces, lives with his father in Oslo. While the two share a loving relationship, Fredrik has trouble adjusting to the idea of his father becoming involved with a new woman. After visiting his mother, who lives in another city, he attempts to sabotage his father's relationship.