A collection of 13 little stories. Black and white, with just instrumental music.

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.

The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.

A political party takes over the power of a new World Order, and establishes Dystopia law, which condemns adulterous men to death row. Each case is sentenced by a body called the Antidote. The defendant is not entitled to a defense. There is only a taped statement minutes before each execution takes place.

A political party takes over the power of a new World Order, and establishes Dystopia law, which condemns adulterous men to death row. Each case is sentenced by a body called the Antidote. The defendant is not entitled to a defense. There is only a taped statement minutes before each execution takes place.

Pacha works as a midwife in a war zone in Colombia. The intimate portrait of her life and profession, is the jump off point for a larger portrayal of life lived despite insurmountable obstacles in a world ravaged by war.

A historical paradise on the Bahia coast is transformed when hippies arrive in the 1970s. For 400 years, the village of Trancoso had protected its religious traditions and cultural habits, rooted in Jesuit foundations. With this sudden “discovery,” the once-isolated community began to attract travelers from around the world. The symbols and rituals of fishermen and farmers seemed destined to disappear. Yet something unexpected happened. The historic bubble burst, but the culture survived. Even while opening to the contemporary world, Trancoso preserved its centuries-old festivities blending Indigenous, African and Catholic-Portuguese origins. These celebrations and local stories form the narrative and poetic center of the film: resistance and coexistence shaping identity. The documentary invites us into the Feast of St. Sebastian, the heart of this transformation. “Cordel” becomes the key to unlock a hidden past — and to guard memories against the silent advance of modernity.

A historical paradise on the Bahia coast is transformed when hippies arrive in the 1970s. For 400 years, the village of Trancoso had protected its religious traditions and cultural habits, rooted in Jesuit foundations. With this sudden “discovery,” the once-isolated community began to attract travelers from around the world. The symbols and rituals of fishermen and farmers seemed destined to disappear. Yet something unexpected happened. The historic bubble burst, but the culture survived. Even while opening to the contemporary world, Trancoso preserved its centuries-old festivities blending Indigenous, African and Catholic-Portuguese origins. These celebrations and local stories form the narrative and poetic center of the film: resistance and coexistence shaping identity. The documentary invites us into the Feast of St. Sebastian, the heart of this transformation. “Cordel” becomes the key to unlock a hidden past — and to guard memories against the silent advance of modernity.