'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair. Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.

After the death of her grandmother, filmmaker Juliana Fanjul has to return to Mexico City, where she realizes how unfair is the relationship between housemaids and their employees.