Rosario Castellanos is an introverted university student who doesn't seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.

An adaptation of "Recursos Humanos". Gabriel Lynch, a somber supervisor of the printing division has just applied for the manager's position, but his dreams will be dashed when the position he thought was his is stolen by Constantino - a junior whose only Grace, it's being the son of someone important within the company. From this moment on, Gabriel will stop being just another office worker, to carry out a revenge that will change everyone's destiny forever.

Julia is a mother, or rather, one of many mothers, sisters, daughters, colleagues, who have had their lives torn apart by the widespread violence in a country waging a war against its women. Julia is searching for Ger, her daughter. And in her search, she will weave through the stories and struggles of the different women she will meet.

Suffocated by debt, JJ, a young white trash woman from the United States, escapes from Los Angeles to Baja California, Mexico, in search of an old lover to save her from her tumultuous existence. She is accompanied by Esmeralda, a 14-year-old Mexican teenager who runs away from home and offers her a tempting sum of money if she agrees to take her to see her father. Always with the threat of being discovered, they embark on an adventure through the desert in which JJ's bad decisions will complicate things more and more; But, along the way, a special relationship will emerge between the two.

Julieta meets Ivan will visiting Mexico and Ivan tries to get Julieta to fall in love with him as he takes her on a tour of Mexico City.

Tato and Beto are poor stepbrothers living on a banana plantation in Mexico. Both are talented soccer players, but their dreams lay elsewhere: tone-deaf Tato wants to be a singer, while Beto is content to remain on the plantation. One day, a sports agent sees the two young men playing soccer and offers to take one of them to Mexico City for a chance at sports stardom.

Ana and Mariano bump into each other after years of not knowing about one another. As they share a short trip on public transport, they remember the moments they spent together. They have both dreamt-many times-about this situation and it's full of open-ended sentences, words suspended mid-air, unconcluded gestures. Love is also letting go.

A love triangle between Mateo, Nadia and Tomas. The story of a friendship, the portrait of a paralyzed generation, the tale of how they live, love and find each other in their solitude.

Emma and her father spend a few days in an isolated collection of huts in the Argentinian mountains. It is here that they meet Elda, a solitary figure, who will guide them through the world of pagan beliefs and local legend.

Chelo is an architect, withdrawing from her social life because of realistic dreams she's having of a romance with a strange man. She's convinced the man is real, out there, destined to be with her. She reports a rape to the police, describing the man of her dreams to a sketch artist. The police find a suspect: he's Marcos, a physician. Chelo tells the police this is not the man who raped her, but now she has Marcos in her sights. Her plan for him to fall in love with her is complicated by his having a fiancée. What can Chelo do? Meanwhile, Marcos has violent dreams about an unfamiliar woman. Chronologies overlap, glass breaks. Can a mind lie to itself?