
Directing
Paweł Łoziński (born December 4, 1965; Warsaw) is a Polish documentary filmmaker, cameraman and producer. He is a son of documentary filmmaker Marcel Lozinski. Graduate of the Directing Department at the Film School in Łódź. Author of more than 20 award-winning documentaries. He makes distinct and emotionally charged films about people of whom he draws intimate portraits. Łoziński gained international recognition with his documentary debut Birthplace (1992). His next films Sisters, Chemo, Father and Son, You Have No Idea How Much I Love You and the latest The Balcony Movie are considered innovative as they venture into new thematic areas and explore uncharted spaces within the documentary film genre.
Marcel Lozinski was born in May 1940 in Paris, and he spent part of his childhood in various children’s homes. His Jewish communist parents were members of the resistance. After the war he went with his mother to Poland, where he became a celebrated documentary maker of some 20 films. Prompted by his son Pawel, also a renowned documentarian, the pair embark on a road trip from Warsaw to Paris. Father and son point the camera at each other and themselves and take stock of one another. In the end, the two men each made their own film about this journey.

Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. What accompanies them on the way are resentments, quarrels and sincere confessions.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

The film is an attempt to show the specificity of being a Polish Jew, often incomprehensible to people outside this circle. The history of Poland is exceptionally difficult. It was full of events that had a huge impact on the sense of identity among the Jewish community.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

A story of a Ukrainian gastarbeiter that comes to the director flat to clean windows, irons and cooks.

What are the limits of personal sacrifice? The film tells the story of a match factory worker who takes up a remarkable challenge. We observe several crucial months in her life as she attempts to turn her dreams into reality. It’s the story of an extraordinary transformation, and about a love that gives her life meaning.

What are the limits of personal sacrifice? The film tells the story of a match factory worker who takes up a remarkable challenge. We observe several crucial months in her life as she attempts to turn her dreams into reality. It’s the story of an extraordinary transformation, and about a love that gives her life meaning.
The passage of time during the pandemic has grown to become my character. The world froze, together with the camera on my balcony. I’m watching a shard of the world in a frame and a unique slice of time we have all found ourselves in. I listen intently to abrupt silence. But life that has slowed down continues under my balcony. New characters are moving along like on the stage. I’m asking people questions I cannot answer myself - what will come next?

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

There are elegant ladies as well as poor pensioners among them. Burdened with shopping bags, day and night, regardless of the weather and time of the year, they visit parks, cemeteries and secluded places. These are ‘cat ladies’, considered as weirdos by some and angels of good by others. Maybe these women feeding homeless cats are trying to fill an empty space in their lives or satisfy their maternal instincts. Before the camera they philosophize, sing old songs and tell stories of love, fear and lost opportunities. One character argues with her husband with whom she shares nothing but a love of cats. They all speak of their pets with fondness and affection and have a name for each of them. Łoziński has managed to paint a portrait of women who have found an aim at the end of their lives.
