A man and a woman living in the same pension, but different rooms, grow intimate behind the landlady's back.

The story of various, diverse relationships among different generations near Santander. The film uses flashbacks taken from Viota's earlier film Fin de un invierno, and follows elements of his first feature Contactos.

Short film, shot in 16mm. Visually, the second hand sweeping the face of a clock. Audibly, the ticking of a clock. The passing of 10 minutes of time.

Short film about an aimless young man.

Santander, 1967. Tina's desire is to leave her hometown and move to London, but her mother does not approve her choice.

The story of a couple whose relationship is falling apart, with voiceover by two of their friends.

Short film shot in 16mm

The second feature length movie of Paulino Viota, this is a disillusioned and biting look at the years of Spanish democratic transition, narrated in a dry and scrawny style that shows the political intrigues, struggles and frustrated hopes of the first years of Spanish transition to democracy.

A documentary about traveling fairs in Spain.

30 minutes. Lots of dialogues. On friendship. On love. On memory. On oblivion. And a bit of democracy, too.