Louise’s life is splintering. At work they’ve been shunting her aside. And she’s separating from her boyfriend, who works for the same company. When she learns that her contract will not be renewed, she starts witnessing bizarre attacks.

Madeleine go with her mother, a mobile esthetician, at new customer's home in a fancy neighborhood. The 8 years old girl is sent in the game room and three girls invite her to play around a board game. But she has to bet money, which Madeleine has not.

Unseen shots of a “heroic fantasy” film. A modeled model, a cosmic desert, a buried desire.

A man lies on the ground, stabbed. Going backwards (“à rebours”) we will find out what happened shortly before.

After a bus accident in the middle of the countryside, Lupa follows Alban who's decided to head to the nearest village on foot. As they're cutting across fields, they get lost in a strange forest.

Marianne, a heroine for a day, is interviewed by a young journalist. Despite of all the misunderstandings, a meeting takes place, brief, tenuous, human.

A busload of tourists in the mountains. After a short pit stop, the group notices someone is missing. With the impossibility of leaving them behind, especially in the harsh environment, the group starts to doubt and becomes impatient. But who has actually disappeared?

Emilie has moved to the countryside with her partner, Gabriel. In the next field, a black horse is lying, dead. No one seems to care.

While creating SHE IS CONANN, Bertrand Mandico also filmed two short films simultaneously to create an entire "Barbarian Cycle" that brings you deeper into the world that Mandico has created. Presented in this program are: Rainer, A Vicious Dog in a Skull Valley (26min); Apocalypse After (35min); and We Barbarians (27min).