A group of friends and relations gather at a country estate to see the first performance of an experimental play written and staged by the young man of the house, Konstantin, an aspiring writer who dreams of bringing new forms to the theatre.

A young woman sets out to get revenge against a rich man who murdered her lover.

An aspiring mystery writer becomes accidently embroiled in an international plot during a two-week stay in Malta.

A young man bitterly regrets his part in an attack on a bank cashier.

Success has James Brewster's name written all over it, and he also has his heart set on his boss's daughter. A con artist hires him to help out on a bank scheme, but then again, James will do anything to get rich and be the most successful businessman in Britain-even if it means murder!!!

Tracey Lawrence is assautled in her home and is so affected by the traumatic event she now finds all men totally repulsive, including her husband. Her attitude does not change with time, and to make matters worse her husband has got romantically involved with his secretary. Also, the police still have not tracked down Tracey's attacker and there is no guarantee that she is safe.

A retired thief reforms a gang for one final heist, everything seems to be going smoothly until complications start to arise

In Dublin circa 1911, John Cassidy (Rod Taylor), an impoverished idealist, whose ambitions are restricted by the demands of looking after his family, journeys through the social injustices of Dublin life, involving himself with the rowdy tramway-men strike, dawdling with prostitute Daisy Battles (Julie Christie), and seeking a better life. He falls in love with bookshop assistant Nora (Dame Maggie Smith) who encourages him toward a life of writing. Finding success at the Abbey Theatre, his unorthodox views estrange him from family, friends, and his own past.

Alvin Rakoff's adaptation of Arnold Wesker's The Kitchen for Play of the Week. The Kitchen, first preformed in 1957, was Wesker's first work and his most performed play. The Kitchen has been produced in sixty cities including Rio de Janeiro, Tokyo, Paris - where it was the first widely recognized production by Théâtre du Soleil in 1967, Moscow, Montreal and Zurich.

Can Theodore Quill, a self-styled Casanova, face the truth of his affairs?