After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards.

Everyman (German: Jedermann) is a 1961 Austrian drama film directed by Gottfried Reinhardt, based on the play written by Hugo von Hofmannsthal. The film was selected as the Austrian entry for the Best Foreign Language Film at the 34th Academy Awards, but was not nominated.

Klaus is a young man in post-war Berlin. He is drawn to his friend Manfred and, under the encouragement of their acquaintance, Dr. Winkler, explore the underground world of gay clubs and electronic music. His family begins to learn of his other life and do everything they can to set him straight.

Vienna, 1922. Due to a sudden financial tragedy, a young woman begins accepting checks from an older, rich gentleman for companionship in order for her to keep attending college. Their relationship is purely platonic, but eventually she begins a romance with the tutor of the older man's sons who has a completely wrong impression as to the nature of her arrangement with his employer.

A long time-span of Austrian history (from the late 19th century to the years after world war II) is reflected in the ups and downs of a family of piano-makers in Vienna.

Since the capable landlady Maria bears a striking resemblance to the ruler of a miniature state, she is tasked with playing the role of princess during her absence. The deceitful and corrupt ministers attempt to seize the opportunity and gain one-sided advantages for themselves. When the son of the real princess falls in love with Maria's daughter and wants to marry her, a national crisis almost erupts.

A biography of the eighteenth century Habsburg Empress Maria Theresa.