This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.

Two doctors, a German and a Czech brain surgeon, meet in a Berlin hospital, unaware of how fatefully they are linked by events from a dark past. A trip to a congress in Prague and an encounter with the wife of his Czech colleague force the German chief surgeon to rethink his previous life. The film deals with the explosive topic of the extent and causes of complicity in the crimes of National Socialism.

Berlin 1849: The democrat Adolf Glasbrenner, known as Brennglas, publishes the political satire magazine "Phosphor" on a shoestring budget. He plans to marry his lover, the actress Adele Peroni. But the plan comes to a standstill when Adele is to make a guest appearance at the reactionary Royal Prussian Playhouse. A democratic journalist marrying a court actress? Impossible! Together with his friend Pulecke, Brennglas tries to disrupt Adele's performance with a bachelor party...