Two strangers, both folk musicians stranded in California, take a road trip to New York in the days after 9/11. A story about the kindness of strangers and the power of music.

Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.

Trapped in a world of domesticity and servitude, long suffering vicar's wife Valerie has spent a lifetime serving others. Lost and lonely, she makes a quiet plea to a statue of the Virgin Mary, who answers her prayers in the form of a strange force.