A dancer as filmmaker refrains from superfluous movement in a villa in Brittany, giving way to an individual as well as social state described by the French philosopher Paul Virilio as "polar inertia".

Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up

Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up

Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up

Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up

Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up

A ride around Vienna’s Ringstrasse boulevard and then into the city, falling, eating, and finally ending up on the toilet. Death is always there, right in front of us.

A market in Eritrea, a bar, a boat, streets in Brussels and Helsinki. The avatar in this realistic animation is in many places simultaneously. He explores the earth with stops and starts, stepping from one world into the next. His home is the stable factor that he keeps returning to after entering the outside world.

Stop Motion – a dancer as filmmaker dispenses with superfluous movements and surrenders himself to that (individual and social) state in a villa in Brittany that the French philosopher Paul Virilio described as "frantic standstill." Frame by frame, Paul Wenninger "stands" through circles in what was initially a completely empty salon.