Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.

The most comprehensive retrospective of the '80s action film genre ever made.

In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company's nefarious plans, he turns on his masters.

In 1980 film writer Ruud den Drijver goes head to head with two notorious Dutch film directors, Paul Verhoeven and Wim Verstappen, passionate film makers, competitors and colleagues in a free for all heated discussion ranging (among other subjects) from oral sex to the art of motion pictures. 25 years later the confrontation is continued during the Cannes Film Festival. In the meantime Wim Verstappen has died a year earlier and Paul Verhoeven has returned from a brilliant career in the States. Paul is still very outspoken. He talks freely about the present-day neo-conservative policies of America, and about the situation in Hollywood and his work. THAT'S IT!!(English title)(1980-2005) is a retrospective view on the careers of two driven film directors and is a hilarious time document larded with passionate statements.

A profile and history of film director Akira Kurosawa.

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

"Pim is more consummate," actress Willeke van Ammelrooy concluded upon seeing Pim de la Parra again in Suriname, at the presentation of the restored version of his film Wan Pipel. This marked the end of her disagreement with the director, which arose during the making of this film, some 35 years ago now. The charming director doesn't seem like the kind of man you can stay angry with for long. Wan Pipel turned out to be a watershed in the career of this headstrong filmmaker, who shook up the Dutch film world in the late 1960s. Although he went on to fight back with his so-called "minimal movies," he would never again get the opportunities his talent and inventiveness deserved. In Parradox In-Soo Radstake provides a personal portrait of De la Parra, now 70 years of age, who after many adventures in the Netherlands has returned to his native Suriname. He discusses the major themes of his life and work, which for a long time coexisted: too many women, too little money, too much ego.

Very insightful BBC documentary about Paul Verhoeven, tracking his career up to Showgirls. The programme focuses on talks with Verhoeven, but also includes interviews with many of the people who worked with him, both from the US and Holland, and even his wife. Also has a lot of behind the scenes footage from the set of Showgirls. Verhoeven is very open about the way he works, the themes in his movies and his life. He also interprets his own work in a very frank and intelligent way and, as always, is a gas.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

How Frans Afman, a banker from the Netherlands, developed a new system for film financing, revolutionized independent filmmaking in Hollywood, but could not prevent it all from crashing down, when ambition of others turned into greed.