Former boxing world champion Kai Burdenski is up to his ears in debt and can neither pay rent nor electricity for his boxing school. This is tragic not least because he trains teenagers from youth welfare, for whom his run-down hall has become a home. In particular, the young, talented asylum seeker Samy, who lost her entire family while fleeing Afghanistan, has taken Burdenski under his wing. It doesn't take long for bailiff Billy Kuckuck to understand that the former boxing professional is more than just a coach for Samy and the other young people, namely also a social worker and surrogate father. Therefore, Billy looks for ways and means to help the boxing legend, and turns to his daughter Jessica. But she only saw her father from his worst sides during his sports career and doesn't want to hear anything from him anymore. Burdenski's stubbornness and pride are not helpful here either.

It's the first party that Jonas has ever thrown - and no one shows up. Except for his friends Jacob and Nicholas, but they are quickly trying to leave. Jonas struggles with saving his party while also maintaining their” friendship”.

Soraya (Neda Rahmanian) and André Faber (Matthias Koeberlin) are worried about their 16-year-old daughter Mila (Hannah Schiller), who - presumably due to the bad influence of her boyfriend Leon (Paul Sundheim) - is in danger of slipping away from them. Without further ado, they invite Leon's parents Viktor (Maximilian Grill) and Monika Popow (Josefine Preuss) to their spacious architect-designed house for dinner. While the rich Fabers are still thinking about a considerate, understated style of clothing, Viktor and the cashier Monika arrive on their motorbikes already dressed up - in a fighting mood. The evening takes an unpredictable course with increasing dynamics and in view of the adolescent behavior of the unleashed parents.

Four neighbors, one boss, and a fateful party. The harmony between the friendly couples Bianca/Oliver and Dila/Simon is put in danger when Oliver's boss Lars invites himself to a barbecue party. With dangerous charm and amusing intrepidity, Lars pushes the situation to such an extent that the two couples begin to question the foundations of their lives and fall into actionism. Until the pressure turns into counter-pressure and Lars himself becomes a target.