An inspector of the Antwerp criminal investigation unit faces problems not only in his professional life, but also at home. When he is partnered with a young, over-confident colleague, he loses control over the case in hand.

Govert Miereveld is a lawyer from a small Flemish town who also teaches in a school for girls. He harbors a secret love for one of his young students, Fran, whom he loses touch with after her graduation. Some time later, Miereveld has to attend an autopsy, and the shock of the experience deeply affects his mental balance. He finds out - or he believes so - that Fran has become a popular singer. He arranges to meet her to finally reveal his feelings. An ambiguous but perhaps tragic denouement follows which might be a figment of the protagonist's disturbed mind.

A pessimistic urban drama, with a musical score by Jack Sels and Max Damasse, charts in strongly expressionistically lit black-and-white images the wanderings of a tormented man through the cosmopolitan port city of Antwerp. The only people to show him understanding are an orphan and two disillusioned women.

Sam starts his first week as a helper at a brickyard. He got this job because his new boss is the chairman of the local football team for which he plays. He's a talented goalkeeper. There is much resemblance between Sam and Louis, a 65-year-old who is pottering through the last days before his retirement. They both react strongly to the illegal dumping practices of a firm from the city. But also their boss' hands do not seem to be entirely clean in this business. Will Sam sink into the rut and routine that Louis is rebelling against?

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.

The film follows the spirited press photographer Jo Markus (played by Denise De Weerdt), who works for an Antwerp weekly magazine. Nicknamed "The Princess" because of her aristocratic mother, she teams up with two bumbling friends (De Woodpeckers, Jef and Cois Cassiers) to not only bring a gang of thieves to justice but also discover love along the way..

Smugglers try to ship their products via Pol Knol, a trader in medical products. Due to circumstances, the package remains on Mr Knol's desk. The smugglers think that Pol has deliberately withheld it. They come to pay him a "visit."

In the heart of the Schipperskwartier, a grocery store and a café sit side by side, run by two inseparable friends, Jef and Rik. Rik, a widower, has three spirited children who can only be kept in line by Anneke, the ever-patient housekeeper. Wanting to see his friend happily remarried, Jef places an ad in the newspaper seeking potential brides. Two women respond, but Rik refuses to meet them himself. Undeterred, Jef takes it upon himself to investigate…

Jan Peeters is happily married and his wife Annie just things he's the best. When all of a sudden 4 women buy him a tie for his birthday she's becoming suspicious.

The film follows Duke and Olivia , a troubled couple living in a gloomy city. Duke is a failed, alcoholic saxophonist, while Olivia works as a striptease dancer. Trapped in a toxic environment, Olivia decides to break free from Duke’s self-destructive lifestyle to uncover her past She was separated from her parents as a child, and with the help of a judge named Gerard, she travels back to her childhood home located on a garbage dump. There, the locals welcome her as the "Madonna of the landfill".