A photographer comes to take remembrance portraits for a family who have just suffered a stillbirth.

Catherine Tate's iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan's present with her past where we finally find out what's made her the cantankerous old bastard she is today.

Single mom Flora is at a loss about what to do with her rebellious teenage son, Max. Her efforts to keep him out of trouble lead to a beat-up acoustic guitar, a washed-up LA musician, and harmony for this frayed Dublin family.

A group of protesters film a period re-enactment in a dilapidated 18th century house in a last ditch effort to save it from demolition. Through this film-within-a-film device, Paul Mercier’s satirical script gleefully blurs the lines between “real life” and dramatised events, while touching on a dizzying range of themes such as art, historical truth and conservation. The film is fuelled by an anarchic energy and propelled by Mel Mercier’s driving score.

A boy declares his love for his girlfriend, only to die the same night. He is brought back to life by his mother as a flesh-craving zombie, who sires more teen undead while trying to control his, er, appetite for his beloved.

A private investigator is forced into a dangerous alliance with a killer in order to uncover a quiet town’s grisly criminal underbelly and clear the name of her mentor, who is implicated in the crimes.

An irreverent, modern, non-traditional re-telling of Ulysses, told rapidly by a succession of over 75 international actors. The film maintains the rhythm of the novel's stream of consciousness with intimate, minutely nuanced provocative performances.

A group of college friends reunite for a trip to the forest, but encounter a menacing presence in the woods that's stalking them.

In 1866 St Andrews, Scotland, 15-year-old Tommy Morris is an avid golfer like his legendary and pioneering father, Tom Morris, now greenskeeper for The Royal and Ancient Golf Club of St Andrews, as well as the town's club- and ball-maker. The two-time winner of the first major golf tournament, The Open Championship, which he founded in 1860, Old Tom also established golf's standard of 18 holes per round. But young Tommy is beginning to chafe at his father's dictates, especially in the rapidly changing world they live in. Tommy soon outshines his father, winning The Open three consecutive times.

We Ourselves is an unconventional drama about isolation and belonging, about being alone with one’s own thoughts while being part of a shared experience, culture and nation. It takes us into the minds and hearts of a group of idealists and careerists as they take their separate paths in life. These people will tell you that they are the best of friends. They believe they are from the same country, yet in the privacy of a room, they are apart, alone and in a state of exile.