Jazz Icons: Dave Brubeck boasts two beautifully filmed concerts from one of the most beloved quartets in jazz history. Captured at the pinnacle of their power and popularity, Paul Desmond (alto sax), Joe Morello (drums), Eugene Wright (bass) and Dave Brubeck (piano) explore the trails they blazed into the realm of odd time signatures with "Forty Days" and two versions of their groundbreaking hit "Take Five", as well as forays into world music with two unique interpretations of "Koto Song". Their intimate onstage chemistry and impeccable musicianship made the DBQ an award-winning jazz supergroup.

Recorded at Berliner Philharmonie, Berlin, November 4, 1972. A DVD has been issued of the concert by "Standing Ovation" - "Gerry Mulligan, Paul Desmond & The Dave Brubeck Trio. Live In Berlin 1972". It does not include the non Brubeck tracks. Tracks 5-11 on CD 2, are from a rare live performance by Mulligan and Desmond playing together along with Jaki Byard, in New Orleans in 1969.

Short film featuring the Brubeck Quartet.

On October 17, 1961, the popular and pioneering pianist-composer Dave Brubeck performed on Ralph Gleason's Jazz Casual, the television show that showcased some of the finest jazz artists in a half-hour of no-frills performance and conversation. Backed by the Lester Young-influenced alto saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello, Brubeck and his combo perform some of their odd-metered hits. Desmond's dancing ditty, "Take Five" is rendered in a faster tempo than the studio version. Brubeck's ragtime-flavoured "(It's a) Raggy Waltz," highlights his percussive piano lines, while "Castillian Blues" and the Turkish strains of "Blue Rondo a la Turk" reveal his multicultural, compositional genius. Gleason, the show's creator and host, was a well-respected, San Francisco-based jazz critic and author. He remarks during the show that Dave Brubeck was "a provocative, experimental, and interesting musician." That statement is still true today.

The Monterey Jazz Festival was established in 1958 by impressario Jimmy Lyons who has hosted an enormous amount of music at this idyllic location. Against this beautiful seaside setting in Northern California, one spends a pleasent weekend listening to some of the giants of music.

In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.