Acting
No biography available.
An exploration of masculinity and violence. A story of obsession and revenge, as a man tries to come to terms with a brutal, random attack and its consequences.
When their son, Billy, becomes a zombie, the family chooses to take care of him in the home, much to the chagrin of the neighbors and the local crime boss.
Bebhínn lives the high life in London while her parents retire in rural Ireland to work the family farm. On a visit to Co Kerry, Bebhínn sees her father working hard as a sheep farmer with very little monetary reward - - Bebhínn struggles with his recent choices in life until one night her eyes are opened to another way of life.
Five friends head out for a holiday to a remote island off the coast of Ireland and visit an abandoned hostel. As the night draws in and they fool around with a séance, the friends come to realise they are not alone...
With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family.
A blind man gets a bit more than he bargained for in his new guide dog.
Christmas in Dickensian London. Curmudgeon Ebenezer Scrooge is visited by three ghostly spectres. Their mission: his redemption.
Ten horror tales about the strange and sinister goings-on in the Hotel Darklight: Lonely Hearts (written and directed by Ciaran Foy); Hotel Training (written by Maura McHugh and directed by Conor McMahon); Prejudice (written and directed by Paul Walker); St. Mary (written by Gerry Creehan and Paul Markey and directed by Brian O'Toole); Play Dead (written and directed by James Phelan); Heaven in a Wildflower (written by Sinead Fagan and directed by Dolores Rice); Regards to the Chef (written by Eilis Mernagh and directed by Kian Petit and Ewan Petit); Noughts and Crosses (written by Barry McLoughlin and directed by Alan Brennan); You Beta Your Bollix (written by T.C. Director and directed by Ian Whelan); Better the Derval You Know (written by Paul Markey and directed by Brian O'Toole).