Lee Jwo Horng is fresh out of jail after doing time for 15 years. By then his fiancée Betty has already become the mistress of triad boss One-Eye Jack. Lee doesn't want his younger brother Chih Shen to look down upon him, so he decides to keep his release a secret from Chih Shen, and finds accommodation with his friend Ah Han instead. Jack forces Lee to team up with him again for more criminal jobs, but, determined to clean up his act and stay out of trouble, Lee doesn't yield to his pressure. Jack then turns his attention to Chih Shen and lures him to the dark side instead...

Mitra was the first Hong Kong film to be made in Iran and the last of Lung Kong’s directorial works to be released theatrically. Made in an act of courage and of opportunism with a small crew on the occasion of the director’s sojourn to the Tehran International Film Festival to premiere Hiroshima 28, the film tells a love story set upon the expansive desert backdrops of the Middle East.

Lung Kong’s first color feature expands on thematic concerns supplanted in The Story of a Discharged Prisoner made one year before, situating issues of social reform within an impassioned romantic melodrama. The relationship between a career criminal and a blind girl (a stunning performance by Josephine Siao) form a portrait of marginalized life in a rapidly-modernizing Hong Kong. The profound chemistry between Patrick Tse and Josephine Siao onscreen served as the primary inspiration for the famed hit man-blind girl pairing in John Woo’s award-winning film The Killer (1989).

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.

From a rat infestation in the slums, a fast-spreading virus grips Hong Kong, inducing panic when the government is slow to react. Inspired by Albert Camus’s The Plague.

Lung Kong collaborated with accomplished novelist Meng Jun to pen the script for this tale of heartbreak and doomed romance. The mounting despair of two solipsistic characters headed towards an emotionally shattering break-up is depicted through an elliptical series of flashbacks.

Set in San Francisco, Love Massacre follows college student Ivy as she tries to help her friend Joy recover from a breakup. Ivy soon becomes involved with Joy's married brother Chu Chung, who spirals into senseless violence as he breaks into Ivy's dormitory and goes on a delirious killing spree.

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.