
Directing
Patricia Mazuy is a French film director and screenwriter. She is known for her keen-eyed period dramas, wry examinations of modern workplace dynamics, and lean, brooding chamber pieces of familial angst.

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.
Caen, Thursday, February 25, 2020. In two days, Patricia Mazuy will start the shooting of her new film, Bowling Saturne.

They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way.

Auguste Rodin (1840-1917), man of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young woman desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation.
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?

From 2016 to 2021, Laurent Achard directed four portraits of filmmakers: Vecchiali, Brisseau, Stévenin, and Mazuy. The fifth (Carax), begun in 2023 at the Villa Medici, remained unfinished. He nicknamed it “The Chairs.” “When we consider how familiar death is, and how complete our ignorance is, and that there has never beenany escape, we must admit that the secret is well kept!” (Jankelevitch)

Late 17th Century: Anne de Grandcamp and Lucie de Fontenelle, two little girls from Normandy, arrive at the Saint-Cyr school founded by Madame de Maintenon for educating the daughters of impoverished nobles ruined in wars and making them into free women. Madame de Maintenon is the secret wife of Louis XIV, and empowered by his support, she offers "her" two hundred fifty girls a playful and avant-garde education. Anne and Lucie, two inseparable friends, allow themselves to be carried away by the promise of a bright future. But Maintenon has arrived at the pinnacle of power through scheming and debasing herself and she now fears the fires of hell. She is counting on her model school to atone for her past sins.

Two brothers set fire to a barn while drunk, inadvertently causing the death of a sleeping wanderer. One of them takes all the blame for the incident and spends ten years in prison.

In a family-owned bowling alley, tension arises between two brothers following their father's death. Meanwhile one of them, a cop, is investigating a series of disturbing murders. Both brothers soon find themselves trapped in a looming darkness.

Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...

Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...

Late 17th Century: Anne de Grandcamp and Lucie de Fontenelle, two little girls from Normandy, arrive at the Saint-Cyr school founded by Madame de Maintenon for educating the daughters of impoverished nobles ruined in wars and making them into free women. Madame de Maintenon is the secret wife of Louis XIV, and empowered by his support, she offers "her" two hundred fifty girls a playful and avant-garde education. Anne and Lucie, two inseparable friends, allow themselves to be carried away by the promise of a bright future. But Maintenon has arrived at the pinnacle of power through scheming and debasing herself and she now fears the fires of hell. She is counting on her model school to atone for her past sins.

This microcosm of power and money has no time for Gracieuse, whose only assets are her talent, her fiercely stubborn character, and, most particularly, her determination to succeed. A high tension wire who's ready to stand up to Franz Mann and to face any obstacle, even if it means stepping outside the law, she pursues her sole obsession: to have a horse to call her own that she will take to the top.

In a family-owned bowling alley, tension arises between two brothers following their father's death. Meanwhile one of them, a cop, is investigating a series of disturbing murders. Both brothers soon find themselves trapped in a looming darkness.

What causes a man who has everything to jeopardize his comfort, career and relationship? A passion, as burning as it is fresh, for five acres of land in the Limoges region. But land has to be earned, especially when one comes from the city. And so Franck embarks on a quest for his own Holy Grail. He needs a tractor.

In the late 1970s, a French teenage girl is obsessed with the then popular American movie heartthrob John Travolta.


