Albert, a sound engineer who is chronically hesitant successively meets three charming young women who will, each in their own way, provoke and help him to get a better hold of himself.

In this frothy comedy, Lucie never knew her father, but she somehow finds out he has recently died and is to be buried on a certain day at a certain cemetary. In a belated attempt to connect with her roots, she rushes to the cemetary and joins a funeral gathering. She gets to know the people at the ceremony and is soon embroiled in an art smuggling scheme and has some (probably incestuous) romantic feelings for a young man she believes may be her brother. Eventually she finds out that she went to the wrong part of the cemetary and that these people are not her kin.

The film is a wonderfully accurate portrayal of the three stories: The stories are tied together with original dialogue and scenes by Martha / Anne / Freda / Judith (Valérie Stroh) and René Feret which follow a Golden Notebook/Anna Wulf theme: she is "writing" the stories and has a boyfriend named Paul who is a psychiatrist. A Man and Two Women: Anne, a young woman, a slightly bohemian painter: "in love" with her newborn, she abandons her husband while Isabelle, her best friend, attracted by to him and becomes little by little her rival. Each Other:Fréda finds her brother every morning in the secret of her bedroom,they leave themselves and incestuous effective becomes the only possible relationship for both. Our Friend Judith: Judith, a cold and warm intellectual, secret and complex - Beautiful, Judith is careful not to show it, she knows interment and that is enough. Intelligent, she does not bend to the rules of fashion nor seduction.

How will Charles manage to become a man again now that his wife has left him, that he can't even roll a simple joint and that even his cleaner thinks he's a jerk ? By inviting Leonid, a chimney-sweep with a Russian accent to join him? By letting him move in while he's still living in his appartment? By talking to him frankly and listening blindly to his suggestions? Russian therapy has its good points, even if its founding principles are rather strange...

Didier never knew that a wrong film review of a film which he did not bother to watch would land him in numerous troubles.

The solitary and largely self-contained Augustin (Jean-Chretien Sibertin Blanc), on obscure young actor of bit-parts and advertisements, has but one ambition - to play the lead role in a Kung Fu epic. But hours of Kung Fu practice alone in his room are not enough. Augustin knows he must pack up and start a new life in China... or at least that part of China within bicycling distance: Chinatown in south-east Paris. There he meets Ling (Maggie Cheung), a young Chinese woman who practices ocupuncture, and little by little, Ling's needles awaken emotions in Augustin that his virginal body had never dreamed of. Where will this lead him? To Kung Fu stardom, maybe not, but to another destiny, a quirky but logical continuation of the same dream.